In the street

24 Tuesday Dec 2013

Tags

Christmas, Citrus, Dessert, Friendship, Fruit, Ingredients, Italy, Nonfiction, Recipes, Stories, Travel

That’s how I met her. Running from a broken down train and away from a car crash, in Newhaven of all places. The last time I made a friend this way was twenty years ago in a bakery in Venice, and my accent gave me away. It was heady, to think that’s how it can still be done, meeting in the street and suddenly you’re friends. I ran after her. I wasn’t chasing her or anything, but she just said quickly “follow me” and so I did. It was like being in Borgen.

Her stepfather was waiting for us in a car, and she had to explain quickly who I was and what was going on. I didn’t wait outside because of the freezing wind. I threw myself into the back like a labrador, and we were away. All round the houses, because of the crash. There weren’t even any buses, so if it hadn’t been for her I would have been walking along the English channel for two hours trying to avoid the dog turds. I still feel bad we completely ignored her stepfather. I slipped in a thanks everso much at the end. But it was too exciting, meeting like this. And having so much in common, we even knew people from way back. A cinematographer meeting an actress. Zero degrees of separation.

The last time it felt like no big deal. I met Charlotte in a bakery in Venice, and the next thing I know (and because of her) I’m sitting in Trieste having an interview for a place at Warwick University with the head of the Italian department and his daughter over a bowl of penne alla vodka. I remember the pinky-red sauce and the fumes of subtle alcohol, and the sheer exuberance of the conversation. Actually, he was a monologuer, one of those people who talks in order to stay alive. But in those days, it felt normal, this happenstance. Maybe all young people feel like that – somehow touched by a higher hand. I just wandered into things and it all came out alright. I wandered into success.

And wandered out again. Some things get better though; friendships grow more robust and less fickle. Charlotte soon disappeared in a blaze of vitriol and tirades. It was the age when you think you know it all and can’t bear to be told. And every conflict is a contest. She loved to tell me how rich she was, her parents had a huge pad, they earned ‘a shit load’. It was odd when I met them – this quiet couple from Harrow, her mum a teacher of adult literacy, her dad a performer of silly walks along the Grand Canal.

But I have hope for this one. There’s no pressure for a start (we both say ‘no pressure’ a lot). No planning required (she lives round the corner in Seaford – a Seaford friend, finally). And it’s nice to know it’s coming up, this very-possible friend, amidst all the feverish wrapping, huddling, expectation and food. The somewhat enforced intimacy. I am looking forward. Which makes a change.

This is a bit of a cheat. But it gives everyone a breather from all the stolid mince pies and Christmas pudding, and the sheer load of food consumed on the day. It twinkles and it’s orange. And it’s a chance to show off your extravagance in buying in some marrons glacés (candied chestnuts) which are bloody expensive so just one each (and completely unphotographable, sorry, they look like bunions). I like to think it’s a nod in the direction of Italy and heat and sun. I have doffed my cap in the direction of the Venetian stalwart aranci caramellizzati, which began life at the Taverna Fenice. Happy Christmas.

Salty caramel oranges with marrons glacés

Adapted from Hugh Fearnley-Whittingstall, The Guardian

Serves 4

4 oranges

4 marrons glacés

Peel the oranges. Use a sharp knife for cutting citrus, if you want it to look pretty. Take a narrow slice off the stem and blossom ends. Cut down the sides of the orange from top to bottom, slicing away the skin and the white pith. Now cut into rounds and put into a bowl. Or, if you wish, serve each person individually.

Crumble the marrons glacés on top, then trickle the molten caramel sauce (by which I mean warm) over the cool fruit, where it will form nice ribbons. Squeeze the juice that has spilled all over the place over the top and it’s ready to go. Delicious with a glass of chilled champagne.

Salty caramel adapted from Nigella Lawson, How To Eat

Serves 4

5 tbs light muscovado

50g unsalted butter

100g golden syrup

125ml single cream

1 big pinch of sea salt flakes

Melt the sugar, butter and golden syrup in a thick-bottomed pan with the salt. When smooth and melted, let it bubble away, gently, for about 5 minutes. Then take off the heat and add the cream. Add more salt at this point if you like it lip-smacking. You can pour the sauce into a jug and serve hot, or do it in advance, refrigerate and reheat. It is truly stupendous.

Me alegro

29 Thursday Nov 2018

Posted by Sophie James in Travel, Uncategorized

≈ 10 Comments

Tags

Food, Stories

Despite how healthy this picture looks, these peppers never belonged to me. I lived next door to a storeroom and it stored things like beers and tins of things as well as mountains of red peppers and tomatoes and the like. Once, all the bottles of beer in a crate rolled down the hill on their way to the sea. I stopped them by putting my leg out and then running after them, like a parent chasing after her kamikaze child. Only one bottle got broken and the man thanked me and said that he was the owner of the bar, next to my apartment, and if I ever wanted anything I was to come in and ask for him. I remember thinking how nice that was and I was only doing what anyone would have done in the circumstances.

I found the crate of peppers incongruous, sitting there unattended. There was no one in the street but me, although in the photo there is a suggestion of human activity from the open door on the left. But at the time, there was no noise. This is the street where I lived while I was teaching last year. It is in Sitges, just outside Barcelona.

Up until then, Sitges was a place I had only heard of, and only from a man I once worked with in a delicatessen whilst as a jobbing (unemployed and depressed) actor. He was someone who subtly undermined me as I attempted to slice cured meats, who nitpicked about the way I piled sausages. He was not a very nice man and when he said his tan was attributable to a holiday in Sitges, somehow Sitges became as horrible as him. I never wanted to go there. I would go and sit in the toilet and cry and then have to re-introduce myself to whoever I was serving and weigh the pâté. I’ll never forget the awful feeling of my hands shaking over the digital scales. And his red face bearing down on me.

Also, delicatessens are a strange place to work. Things swimming in oil, the obsession with clingfilm, the smell of cold astringent objects, piles of goo. The colour brown. That weird rind on pâté. People who work in delicatessens are rarely warm – have you noticed? Because they, like the food, must remain chilled otherwise they’ll go off. Just a theory.

My very first exchange, the morning after I’d arrived, was with a waitress with black hair and a black mood who pretended not to understand the word tortilla. I thought – he is here, his spirit has contaminated this place. I never went back there even though her cafe was on the corner of my tiny pedestrian street and I passed her every day blackly sweeping up, looking as though she was still mulling over my ridiculous request. She never acknowledged me nor I her. So my first meal was spent looking at a blank space where a plate should have been and Joe drinking very good coffee.

Then I realised I had locked us out of the flat and had to call the estate agent who was hiking in the hills of Catalunya. Of course he was. He sent a sympathetic slightly cryptic message telling me not to worry and all would be well and because we had nothing else to do, we went and ate lunch – a plate of grilled sardines and patatas bravas smothered in a red sauce – made from peppers. Those red peppers are everywhere in Catalunya, a kind of culinary leitmotif.

I never saw that man from the bar again. I never went in there, preferring the open air restaurant on the pontoon over looking the sea, where the waiters fed bread to the fish. Looking over the side there would be masses of dancing fish and no bread, that’s how quick they were. The waiters were all young and friendly and prone to hand-holding; if there wasn’t a table until 3pm, I would get my hand held. That’s one of the reasons I went back, but also the food was good, with a limited menu written in chalk, always finishing with tarta de santiago, sliced as thin as paper with a rosette of cream.

The food though was not the most important thing. It was the colours of the food, the brown paper bags, the heaps of artichokes, the big orange mounds of mango, the tiny streets where my bike would fit, the sudden sweep down to the sea. The sea. I had my own bit, which had a white wind-break, a kind of fence, owned officially by the yacht club but it’s where I once left my watch (still there on my return), where I left my swimming costume hanging, where I sat and imagined the water before going in. It was near two ice cream shops. It was as ice cream always is, unless it’s Italy circa 1988. Never as good as you want it to be.

Down each of those alleyways, would appear the face, from time to time, of a student. Sometimes, we would go through the polite dance of ‘hello,’ sometimes we would feign ignorance, not see each other. Because Sitges is so small, that work seamlessly blends into all aspects of life. You are your work, and so arguments, wandering out of the sea topless, eating, walking, standing – all will be duly noted. Not going out will be too. Because Sitges is a party town, a drinkers place.

The red sauce I think is, must be, romesco? But perhaps not. In all the time I was in Sitges I never asked. Just nodded and ate it. It was lovely.

Unfurl

06 Thursday Apr 2017

Posted by Sophie James in Recipe, Uncategorized

≈ 7 Comments

Tags

Allotment, Gardening, Nature, Soup, Vegetables

Tulips, daffs, forget-me-nots, garlic. Wildly flowering blossom. It is so exciting to be at the allotment. Everything is happening. And yet I am still alone there. It won’t be until mid April that the regulars will come and so in the meantime I am here and it’s all mine. There are rat droppings in the shed and forgotten potatoes from last year have sprouted into the space where I have sown carrots, there is a carpet of grass in the greenhouse, the windows are filthy, couch grass pushes its roots underneath everything, it is everywhere, every day there are fresh sightings. Weeds flourishing is always the sign that it is time to start broadcasting seed. I can’t bring myself to start clearing and washing the greenhouse glass because there is no water yet, it would be a case of me a cloth and a jar of vinegar.

I like the mat of grass in there anyway. It gives off a dry rustling heat as I drag the greenhouse door along its clapped out runner and walk inside. I like it derelict because it reminds me of finding abandoned houses and setting up camp in them as a child far away from parental interference. Why does everything have to be clean? I imagine gardening in my bare feet and lying down in the earth under the sun’s rays. But then I’m aware this wouldn’t be suitable for Hampton, dormitory suburb of England. And I have an 88-year-old neighbour one plot over who would think I was dead. He’d worry.

The best time is morning. Early as possible before anyone is awake. I’ve been here at 4.30 when I’ve woken into darkness and decided to give it a whirl, the ground slick with snails, the slowest parkour imaginable; snails hanging upside down on the bins, leaning against leaves like Gene Kelly, nonchalant. A world of slime.

Anyone would think that given that I spend so much time there, that my plot would be amazing, full of verticals and ploughed within an inch of its life. My other neighbours, Russians with a small boy, do more in a weekend than I manage in an entire season. I saw them this morning, him on the roof of his homemade shed with a fag on, heard the boy, who was swinging a piece of fence, their place dedicated to blue gauze which they had hanging over big wooden struts, to keep out nature – slugs, birds, foxes. In the foreground were manicured clumps of flowers and fruit bushes. How did they manage it when they’ve not even been here? I am here all the time. I manage very little.

I like being near to their industriousness though. Sometimes I see the dad out in the street or on the bus and we have chats about the allotment or about our various ailments, and because of this, there’s a quiet empathy between us which makes working there easy. I know they don’t expect me to hang around, we’ll wave and nod and exchange pleasantries but no cups of tea or too many anecdotes. It’s important not to become too attached to growers, to maintain independence; a chat can easily take up too much time, grow unwieldy and then the next time you feel obliged to begin it all again, and then you’re never alone. You’re talking about Brexit and Trump. It’s ruined then.

You find you’re there ever earlier, to avoid the inane chatter. Chatter is what I grab my bike and ride to avoid. This is not the same as being happy to see people, which I am generally. So this is the bit before. Before summer when I avoid the weekends and the loud free-wheeling manic-ness of small children. Sounds occur now but they are abstract in nature, a solitary laugh, the tipping of a wheelbarrow, stone and tin. The rest is a kind of busy silence, where everything is alive and beyond me, the soil dry, sun everywhere. A time to unfurl.

My favourite thing at the moment is the new sorrel – a tight bundle of lettuce-green leaves, ripe for picking every day. It is a year-old plant grown from seed and it should be bitter by now but is still tart and lemony, turning a muddy taupe when introduced to heat and disintegrating totally in soups. It is the cousin of the handsome rhubarb, both of them astringent and singular stand alone perennials. I have not yet eaten sorrel raw, except pinched between finger and thumb and eaten in furtive shreds, so I only know it as a flavour and not quite as a texture. It would be nice to have those shield-like leaves in a salad bowl and feel the crunch. I am still afraid of fibre, but I will get there.

FullSizeRender

Sorrel Merge

I add sorrel near the end of cooking time and it merges with all the other ingredients lending a sharpness and depth. Recently, I made a carrot and butter bean soup to which I added the leaves of parsley and sorrel five minutes before the end and the stalks earlier. Please use the stalks. If you’re interested in having an unadulterated sorrel experience simply sweat some young leaves in olive oil until they break down into a purée and keep in the fridge under a film of extra virgin.

Olive oil, onion/shallot, garlic, carrots cut into thinnish rounds, butter beans, parsley, sorrel, sea salt, a few tablespoons of yoghurt, butter for the brave.

I have deliberately not mentioned amounts. If you’ve read Julian Barnes’s book A Pedant in the Kitchen you’ll know how infuriating he finds this. Whatevs. You can combine butternut squash with the carrots and you can also add celery along with the onion. Really it’s a melange of vegetables made liquid by the addition of some stock or water. I like to add a knobette of butter to the vegetable mess near the end, but you don’t have to. I think it lends a velvety quality.

Gently wilt the onion or shallot in a small amount of olive oil, then after a few minutes in which they’ve had a chance to soften, add smashed up garlic, sliced carrots, chopped herb stalks, butter beans and stock/water. I didn’t add the whole tin of butter beans but a handful. Cook over a medium heat until the carrots are soft and then add a generous handful of parsley and a fist of sorrel leaves and the butter if you fancy. The sorrel will turn mud-coloured. Cook for a few minutes more, or mere seconds if you like it very fresh. Liquefy in a blender and add a tablespoon or two of yoghurt, some sea salt and a smattering of fresh parsley, sorrel or other soft herb at the end.

His favourite butter

13 Monday Apr 2015

Posted by Sophie James in Uncategorized

≈ 20 Comments

Tags

Butter, Cooking, Food, France, Ingredients, London, Recipes, Stories

I have been cooking for a couple who live in Belgravia, and who spent twenty years in France and pronounce words – certain cheeses – with a proper French accent and when I was younger I found ths deeply unsettling until a friend told me how much she hated the way her Dutch friend pronounced the word Gouda. I am also cooking food from another time, when everyone ate cream daily. They are both slim and energetic older people who think nothing of eating a pudding every day, a gratin, cheese, bread, strong small coffee. Perhaps small is the key here, because occasionally they’ll remark on my portions and intimate that perhaps this is because of Joe’s rather gargantuan needs but in fact he is also a dainty eater. They like ice cream, tarts, pies, but in small amounts and eaten with style – at a highly decorative table in a room that I have seen but not yet entered.

“You can’t get food like this anymore”, the man said, as he passed me my ’empties’ from the previous day’s dishes – fish pie and lemon posset. “You can’t get it in a restaurant. Nobody makes this kind of food nowadays.” Dressed crab. Bisque. Onion tart. It’s true that no one quite eats like this. We are more timid perhaps. Shy of milk, the presence of Parmesan, nothing too florid, too lavish. “We love soufflés, Shepherd’s pie, sticky toffee pudding. No couscous.” These were my instructions delivered by phone and every day my journey takes me past that old London; Harrods with the bottle green awnings, the gold lettering, the Natural History Museum, the black railings everywhere, the white window boxes and lurid flowers. Big red buses. It’s hard not to feel a child again on the approach to Hyde Park Corner. You can imagine never seeing the same person twice. The doormen at the Wellesley. European women in varying shades of caramel, hair the same colour as their coats.

And then doing battle with that enormous roundabout. It’s probably not called a roundabout, but if you’re not already in the right lane, you find yourself going to Victoria station. Right in the centre is a bizarre series of enclosures impossible to navigate on foot. I’ve done it many times in the past and on every occasion have resorted to asking a stranger how to get across and together we have had a meltdown. I have never not had some sort of panic attack here. In fact it was while stranded under the Wellington Arch seven years ago that I decided to give up coffee. And always leave the house with at least ten pounds cash so I can hail a cab.

There’s possibly some Freudian impulse that has brought me back here, to a lilac mews seconds away. That and the money. I dropped off my portions today – smoked haddock in a mustard and Parmesan cream, homemade ice cream, chocolate sauce, ‘mocha-d up’, they said, approvingly. They love potatoes, so there’s them, new. And as I was leaving we talked about potted shrimp. He told me about his favourite butter only available in France. Jean-Yves Bordier. They both said it in a way I wouldn’t dare, with the breathful ease of two people who eat beurre and cheese every day of their lives. Who knew their French builders’ elegant coffee habits. And the life of weekly markets.

Occasionally I imagine that this is me – with my own favourite butter, for example. A liking for a specific farmer or greengrocer, someone who knows his peaches. I do actually: his name is Paul from Twickenham and he told me the other day about his grandma who made amazing rhubarb and strawberry crumbles for everyone and died sitting up, right there in the street on her stool, next to the fruit & veg. She was given a proper costermonger’s funeral with standing room only. But I wonder if that is sufficiently singular – whether it’s enough. It’ll have to do for now. I’m off to buy three tubs of cream and a tranche of Parmesan.

Tentacles

03 Thursday Jul 2014

Posted by Sophie James in Recipe

≈ 7 Comments

Tags

Cooking, Fish, Food, Ingredients, Los Angeles, Recipes, Stories, Travel

You may not be of the tentacle persuasion. These are the tentacles of squid, and we peeled back the skin, disgorged the innards, threw away the eyes, and sliced the slippery white meat into rings. The tentacles we left alone, simply dragged them through flour and threw them into a bath of hot oil where they instantly froze, like the statues in Pompei. The squid is from Monterey, considered ‘local’ here, though it is over 300 miles away, going north.

This is strange to me, unfathomable really, given that we can drive to the sea in 45 minutes and swim in gorgeous, crystalline water. Malibu: a place where we have witnessed the sight of three stately California grey whales breaching the surface, their wondrous grey sheen, their size silencing, so that all we could do was point open-mouthed and watch as they shot up their water for us through their blow holes (not sure if that is the technical term). And then there are the pods of dolphins, the seals that pop up nearby as you’re swimming, darkly sleek and chubby. The pelicans fly slowly in a line, quite low, as if to be menacing. I don’t know where they are going.

Today we watched a man pull a ray fish from the sea, a huge flapping thing that he slipped back into the water, pushing it in the direction of the outgoing wave until it complied and disappeared. The place is teeming with life. But the fish we buy comes from Santa Barbara or beyond.

My memories of calamari – squid cut into rings, dipped in flour and fried – are always connected with Greece, in particular Paxos and Anti-Paxos, where we sat on the beach our skin salted and burnt and in our mouths we would pop fried whitebait, calamari, crisp sardines, everything wetted by lemon juice, our lips and fingers stinging. The fish was caught in front of us. It came from the sea that we’d bathed and washed our hair in (on the days when we couldn’t afford a hotel and had to sleep on the beach). We had the luxury of local, where local meant watching a man climb out of the water and carry our lunch to the grill. Where we’d walk to the next beach to have a change of scene and escape the two men who had latched on to us from Corfu (“A couple of beers, couple of beds, couple of tokes, couple of smokes”).

I was a silly, naive and broke seventeen year old travelling round Greece with forty quid and a bedsheet. Yet we lived ridiculously: Greek salad, shoals of calamari and rice-stuffed peppers, glasses of inky wine. I remember the coolness of a stairwell in the scorching August afternoon and a throttlingly cold Coca Cola. And then the emergence into Gatwick, the drizzling English rain on our leather sandals. I went with my friend Brigid, and for some reason now lost to me, we fell out and boarded separate carriages going back to London. It was a shame because we had had fun and been quite dare-devil; we flew to Corfu with an Australian man my mother had met in the street and employed to ‘butcher’ (in retrospect) our kitchen. He deserted us almost immediately and we found ourselves straggling along a highway in the mad August heat with no idea where we were going to stay. A boy of around eight found us panicking at eleven, and took us home. We walked in and were led to a room where we stayed the night and then boarded a ferry to Paxos the following day. She walked faster than me, perhaps that was it. I used to watch her hightailing it over a hill and not even bother, and when we got back to London she just carried on walking.

I don’t know why this story came to me when this is Monterey squid from the Pacific, and not the Ionian sea and Malibu is not for a minute Greece. I suppose there’s something of the ruggedness and people are, on the whole, brown in both places. As in weathered and salty. And the squid – it was nice to buy the squid whole and dismember it, and to see its lovely purple sheen. And I had no idea squid had eyes. I don’t remember the eyes.

To clean the squid, pull the head away from the body and with your fingers empty out the body cavity (which includes the ink sac – wear an apron). The cuttlebone will be in there too, transparent and flimsy – remove it. Now gently pull the wings free from the sides and slip off the purple membrane (this is fun). Rinse under running water and drain. Cut into thickish rings (about 1cm diameter).

Keep the tentacles together by slicing just above the join. Remove the eyes and mouth. I keep the tentacles intact and fry them whole. The five squid I bought made up 1lb which was just enough for the two of us. There are those who like to soak the calamari in milk to tenderize it, and having done this once I don’t think it makes a great deal of difference. So, when you’re ready to cook, mix together equal amounts of plain flour and cornflour (cornstarch) with a pinch of sea salt. Fill a large, heavy-based pan a third full with sunflower or vegetable oil and heat. Throw in a pinch of flour and if it sizzles furiously, you’re ready to go. Drain the squid pieces well and pat dry, then drag them through the flour and shake off any excess. Fry in batches and when golden brown remove them to some kitchen paper. Sprinkle with salt and serve quickly, while they’re hot, with wedges of lemon.

Unbearably smug

06 Thursday Feb 2014

Posted by Sophie James in Recipe

≈ 16 Comments

Tags

Breakfast, Citrus, England, Ingredients, Marmalade, Recipes, Stories

The last of the Sevilles and I barely registered their presence. Here and gone and not really that baggy or grim-looking. Not ugly enough. Normally I’m halted by the sheer filth. But these were tight little things; tidy orange globes with a few grimy seams. All a bit middle class. Still, I couldn’t resist. Because when all else fails, you’ve got a kitchen smelling like an orange grove for twenty-four hours. And then potted up, you’ve got jars of warm pellucid brightness: Seville orange marmalade. And then you can spend the rest of the year being unbearably smug, perhaps handing jars out to people (‘it’s probably awful, yes, I made it, not sure what it tastes like, I didn’t bother measuring, oh god I never buy pectin, it’s all in the pips and pith!’). We are a violently humble people.

And we don’t do it like the French, who on the whole have far more sex than we do. My French friend Monique literally throws beetroot at me in the street. There is no preamble at all. And because it’s straight from her allotment, there is a fair amount of clag attached. She unearths atrocious-looking, gorgeous-tasting stuff and shares it with a bewildered, Gallic shrug, as if to say: what am I going to do with all this incessant greenery?

There are no strings attached to her generosity. And because English is not her first language, there is no hidden meaning in her conversation. There are no barbs or subtle slights. No crowing. We are great crowers. And because I have been here a fair while this time round, I have noticed this as one notices the way ivy creeps into brickwork and destabilizes it. You are demolished slowly, gently, by stealth.

The clue is no questions. No interest in who you are or what you’re doing, as if your being interesting is somehow a threat. It must be something to do with being islanders, being victors and colonizers. We are guilty and proud and a bit defensive at the same time. All of this is in the marmalade, by the way: that bitter candy and burnt orange aroma, taut, thick rind against umber jelly, the sticky tributaries of syrup, the brightness in winter, the selfless preserving, the putting up, and putting up with, the sex (or lack thereof). We put it all in there. Possibly why Seville orange marmalade is such a complex preserve; because we are.

Seville Orange Marmalade

Adapted from Delia Smith, Complete Cookery Course

There are versions of this elsewhere on the blog – I would say this is the definitive Delia, and my favourite so far. It’s lovely on its own on a piece of toast, an oatcake, anything, or dropped into some cake batter (gingerbread is a natural bedfellow as is anything chocolate). And in case you are put off by the intricacies of making your own marmalade, just so you know there are no intricacies: I have been making very good marmalade for years with nothing but a big saucepan and a clean handkerchief (for the pips and pith). It’s a bit long-winded, that’s all. Always worth it.

2lb (900g) Seville oranges
1 lemon
4 pints (2.25 litres) water
4lb (1.8kg) granulated sugar (you could make some of this light muscovado)

Six 1lb (450g) jars, a square of gauze/muslin or a clean handkerchief or a new pair of tan tights/stockings, string and a saucer.

Begin by squeezing the juice from the oranges and the lemon into the pan you’ll be using. Remove all the pith and pips as you go and place them on a square of muslin laid over a bowl; the pips and pith contain the pectin which will enable your marmalade to set. Now cut the peel into shreds and add it to the juice – as fine or as thick as you like, but the thicker it is, the longer it will take to soften. When you’re done, add the water to the juice and peel, tie up the muslin to form a small bag – make sure nothing will escape – and add that too. Leave in a cool place overnight.

The next day, tie the muslin bag to the handle so that it bobs like a cork in the liquid (but doesn’t touch the bottom). Now is the time to put a saucer in the freezer so you can begin testing later. Bring the liquid gently to the boil and then lower the heat and simmer. It is ready when the peel is completely soft – you can test a piece by pressing it between your finger and thumb. This can take anything from 35 minutes to an hour and a half; be aware that once sugar meets rind, it will no longer soften.

When the peel is ready, lift out the muslin bag and leave it on a plate until it’s cool enough to handle. Pour the sugar into the pan and stir over a very low heat until it has dissolved. You may want to hold back on the full amount of sugar and go for a slightly tarter taste. When there are no crystals left, increase the heat and bring the marmalade to a rolling boil. Now squeeze every last bit of the jelly-like pectin that oozes from the muslin bag into the pan. Every little helps here, so be vigilant. Skim off any froth or scum that comes to the surface and leave the marmalade at a fast boil for 15 minutes. Now put a tablespoon of it on one of the cold saucers and let it cool in the fridge. If when you push the marmalade with your finger the mixture crinkles like a furrowed brow, then you have a ‘set’.

Keep testing at 10 minute intervals until it has reached setting consistency. The mixture will start to look more amber and treacly – there is a trick here which is to watch as droplets of the marmalade leave a spoon. When it’s ready, there will be one single droplet; one of the myriad ways of knowing it’s set. Leave the marmalade to settle for about 20 minutes otherwise all the peel will float to the top of the jar. Wash and dry your jars and warm them in a moderate oven – this will sterilize them. Ladle the marmalade into the jars and seal immediately. Label when completely cold.

The branch line

31 Thursday Oct 2013

Posted by Sophie James in Recipe

≈ 15 Comments

Tags

Breakfast, England, Fish, Sea, Storm, Sussex, Trains, Travel

Monday was a day apart. Perhaps that day in 1987 was a similar sort of day, when I wasn’t actually here to see trees felled, and the sea clamber up into houses like a white-fanged monster. Here the doors whistled all night. But it was the sea, endlessly rolling, throwing out the birds, spitting and frothing and covering the beach with spume and creeping ever nearer. At times it was a wall of water, rising up, drawing back. It felt like a visual effect. A boy was swept off the beach, just up the road at Newhaven. He’s still missing. There’s something sad and ghoulish about it, with sparse details (his age, 14, not much more), the sea with cruel intentions.

I tried to get a train. Up to London and down to Somerset. Off to see my dad after two years – down to the West Country, the Bristol channel, the other side. No one had slept because of the sea and the wind battering at our windows like a drunk trying to get in. 80 mph winds, the papers had predicted, and chaos on the roads and rail, and everyone had smiled and tittered a bit because there’s always a joke about weathermen here. It’s either hysterical (the wrong kind of snow!) or underplaying things, like a blushing maiden shy of the clouds. Who can forget Michael Fish and his 1987 blunder about the hurricane that reduced Sevenoaks to one oak – “Don’t worry, it isn’t”, he said, in response to a lady phoning the BBC, worried there might be one on the way.

The taxi didn’t show up, so we hailed a cab in the street. The wind made me feel very light in the loafers. I had a definite spring in my step. At one point a huge gust ripped open my coat, dragged my scarf on to the street and was unbuttoning my shirt like a really proactive first date. I had to hang on to a lamp post.

The waiting room at the station was full. My mum worked the room as if at a party. She wasn’t coming with me but was there to ‘see me off’ which normally means posting ten pound notes through the window as the train moves off, followed by a jar of peanut butter and some fresh underwear. But there were no trains. Sheila worked in Brighton and had been up since 5am ‘because of the wind’. Francoise was going to Liverpool where she was expected by a group of friends. Another lady in a strange hat wasn’t travelling at all and seemed to be there purely to socialize. We joked about drinking so much tea to pass the time that we’d end up murdering people ‘because of the caffeine’. There were no trains, it was clear. There had been no train at 9.25, 9.58, 10.25, 10.58, 11.25 and 11.58. Sheila was going to give it til 12.25, and if that one didn’t turn up she was going back to bed.

We went to a cafe round the corner to wait. When I saw what was on the menu, something in me softened. Beetroot and potato rösti with Weald smoked haddock and a poached egg. You can’t rush a poached egg. I watched him gently spooning it through the water. Could I leave it another day? The predictions had been right for once. The storm, known as St. Jude, had been tracked way back when it was just a few wisps over the Atlantic. They knew it was coming. They warned us: unless it’s essential don’t travel on Monday. It had exacted the kind of damage that brings public transport to its knees, with branches strewn on tracks (we were on a ‘branch line’ fittingly), a bus rearing up like a distressed pony. Gas explosions, wild seas, a lost boy.

I ate the rösti on the platform, the lumbering behind of the 12.25 still visible as it made its way to Lewes. Too full, too few carriages, too early. I got there as the doors were closing. I didn’t bother to protest. No one looked particularly jubilant inside. And it was suddenly a beautiful day. I sat and ate the best breakfast ever from a cardboard box made for the purpose. Ruby patties, fresh and clean, with a hint of horseradish. I think they must have cooked the potato and possibly grated the beetroot raw. The poached egg was rangy as a jelly fish, the yolk meltingly tender. Clumps of haddock fell away. I ate it all with my fingers. It didn’t occur to me, for once, to photograph it. The photo of the sea above was of a quiet day, the moon a quiet night. It was good to give up. I’m here for a while.

Beetroot and potato rösti

Inspired by Sea Salt in Seaford, East Sussex.

Heavily adapted from Hugh Fearnley-Whittingstall, The Guardian Weekend, 5th October.

Rösti are Swiss, from Bern, and began life as a substantial dish for farmers, but this one below is not a ‘trad’ recipe. I’m not convinced about the egg. You could experiment. If you’re not a fan of beetroot, you could grate apple instead. And I suspect this recipe could be happily adapted for parsnips. Parsnips and apple are good bedfellows.

300g firm potatoes

2 medium beetroot

1 egg, lightly beaten (optional)

Sea salt and freshly ground pepper

Olive oil and butter for frying

Put the potatoes (unpeeled) into a saucepan and add cold water just to cover. Salt lightly, bring to a boil, then cook for seven minutes and then drain. They should still offer some resistance to a knife. Once the potatoes are cool enough to handle, coarsely grate them into a large bowl. Peel the beetroot and grate it, raw, into the same bowl. Add the egg (or as much of it as you see fit) plenty of seasoning, and mix. Cook the rösti in batches. Heat a nonstick frying pan over a medium heat and add oil and a knob of butter to come up about 2mm up the sides. When the oil is hot, take a heaped dessertspoonful of the potato mixture and drop it into the pan and use a spatula to form it into a rough patty shape. Add several more spoonfuls without overcrowding the pan. Cook for eight to ten minutes, turning carefully once or twice, until golden brown and crisp all over. Serve nicely warm with horseradish, smoked haddock and a poached egg.

A field of fennel

17 Monday Jun 2013

Posted by Sophie James in Recipe

≈ 22 Comments

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Cookbook, Food, Herbs, Ingredients, Italy, Los Angeles, Recipes, Stories, Walking

A couple of days ago I went for a walk in Lake Hollywood, my usual amble in the morning. It is a flat, paved trail that loops round the lake – not actually a lake at all but a reservoir surrounded by a forbidding high wire fence – and was prepared to be unamazed by it. There have been a few interesting sightings in the past (Mila and Ashton swanning past, Valene from Knots Landing ‘jogging,’ an eagle having a bath), but I was not in the mood. I wanted to walk until my legs ached, with my head down.

There was no sun to speak of, but a heavy haze, and the occasional patch of vague brightness trying to push through. Two ducks sat in the muck, pecking at some iridescent greenery. After a while, one stopped pecking and just stood there. Come on, you’ve had your fun, it seemed to say. So I moved on. I sat on a grassy bank to rest my legs for a bit and watched a family of coyotes tumble down the side of the hill, stopping to bite each other’s ears and roll around. They appeared one at a time, looked up and down the trail, and loped across to a hole in the fence, slipping through to the other side where the water was.

Up ahead there was a hole for me too, an unusual clearing where normally there is a closed gate. I walked through and up the hill and was surrounded by an oasis of wild flowers, bees, butterflies and wild fennel. I sat down on a stone mound.

Wild fennel is difficult to photograph. From afar it is just a sea of green feathers, a strange network of tentacles, a web. Up close it is too fine and long and wavy. You can never get it all in. So in the end I rolled a few in my hand and took in the smell. I was expecting licorice, the tarry, sticky sweets from childhood, but not lemon, rubber, grass, aniseed, hay, manure, mint, cough mixture and ferns.

Even as I walked past, this strange concoction spilled out. Wild fennel is a herb (or edible weed depending on who you read), and grows abundantly around the Mediterranean, and in Mediterranean climates such as southern California. It is easily confused with fennel the bulb, which has the same curly fronds up top, but is used principally for the fresh, clean chunkiness of its base. The herb, all frilly leaf, is used a lot in southern Italian cooking, particularly Sicilian, where they like to stuff the finocchio selvatico in their sardines, and the seeds in their sausages.

Umbel beginnings

It felt like a real find, this place. There was no one else around, and though I could hear the voices of walkers on the main path, I was hidden from view. It is an economical landscape, because it is so dry. Looking only for lushness, meadows, and nodding snowdrops – Englishness – it’s easy to miss everything else. This field was gold, the dull, dry gold of old grass. Everything was matted, tufted and coarse with occasional bolts of bright colour from thistles. I had to give up the decision to be unmoved. The sun finally came out and I went and sat on the bridge and watched the turtles sunbathing at the lake’s edge.

Fennel grows often in the most unprepossessing places: wastelands, car parks and even in the street. It propagates like mad, and is considered something of a pest here and a fire hazard. Don’t pick it where there is a good chance a dog (or person) has peed on it. The spring and early summer is when you get the fresh green shoots, the wavy fronds, that are used for stuffing into fish and strewing over fava beans and ricotta, risotto, and as a base for pesto.

The simplest treatment is to boil them until tender and serve with olive oil and lemon juice. The autumn is when you get the seeds. This is when the fronds die back and you get the dried, burnt-looking stalks. However mangled they look, the plants will be full of seed clusters. They look like little umbrellas (hence the name Umbelliferae, the family to which fennel belongs). You can pick off the ‘umbels’, separate the seeds from the pods and dry them. They last forever.

After eating fennel pretty exhaustively all week, this recipe makes the most sense to me, gustatorially (I’m not sure that’s a word). It’s a classic pairing of fava beans (broad beans in England) and ricotta with wild fennel fronds. Use the bushy stalks of bulb fennel in its place, or some mint, or whatever takes your fancy. You could use peas as well as, or instead of, fava beans.

Fava beans, ricotta and wild fennel

Adapted from Matthew Fort, Sweet Honey, Bitter Lemons

Serves 4

1 small onion

1 bunch of wild fennel

4 big handfuls of fava beans

Olive oil

Salt and pepper

Ricotta or feta

When fava beans are older, husk them and pinch off their skins to reveal the bright green pods beneath – boiling them for 3 minutes will help shuck off their coats, if need be. Heat a glug of olive oil in a pan. Slice the onion finely and chop the fennel into small bits. Wilt them for a couple of minutes and then add the beans. Cook very gently for about 15 minutes. Add a little water if the beans are drying out before becoming tender. Serve with ricotta, or feta if you prefer a bit of salty sharpness. This is lovely served alongside some prosciutto crudo.

Spiced prunes

23 Sunday Dec 2012

Posted by Sophie James in Recipe

≈ 6 Comments

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Christmas, Elizabeth David, Food, Ingredients, Italy, Pudding, Recipes, Spices, Winter

This is not so much a recipe as a throwing together of ingredients and leaving them to do their work for a day or so on their own. I know that Christmas day is upon us and this dish can work both as a side with meat, as a compote for cheese, as a pudding and as a sweetmeat with coffee, which is handy. I’m not suggesting that this is all you have, but it frees you up to enjoy the festivities.

We found Yuzu lemons outside a sushi restaurant, where the tree was shedding its fruit. “They smell like aftershave,” said Joe, meaning in a good way. They do have an intensely aromatic zing. Almost but not quite overpowering. And contrary to reports, they gave up quite a bit of juice. This recipe, by Elizabeth David, asks for whole spices where possible. There is no added sugar, the prune having quite a bit of its own, and it’s rich enough without needing any accompaniment, though I have a penchant (as you’ve probably noticed) for crème fraîche.

Yuzu lemon

I’m surprised it’s taken me this long to get to Elizabeth David because she was the first food writer I ever read with any real attention. And she is forever associated in my mind with Italy where I first learned to cook. Her book on Italian food was the only one I brought with me to Venice, where I lived and worked for a count and countess, and it proved useful because the dishes I needed to make were rarely complicated. It was always more an assembly of ingredients, and as such utterly exposing in the way that all very simple dishes are. Tomatoes sliced with some ripped mozzarella and some shredded (never cut) basil. Lemon chicken. Asiago and a ripe pear, sliced and eaten off the knife like a circus trick. Peaches, prosciutto, ice cream, a slug of espresso.

Everything was singular. The smell of one thing, its perfume, its downy skin, the rind of this or that cheese. Men carved away at artichokes on the quayside until all that was left was the furry heart. They floated them in buckets of acidulated water and Donatella taught me what to do when I got them home.

Donatella was the housekeeper, though she was also the unofficial stewer and broth maker. She was the one who made stock with a carcass, a few whole carrots, some bay leaves and an onion. She told me how to make sugo for pasta. She was small and round and young, and I think secretly wanted to learn English. Sometimes as we bent over the pots and pans I would translate for her and she would find it very funny. I was 19 and she couldn’t have been much older but she was married with kids. Eventually, she left me to my own devices. I had a small but effective repertoire by the time I left, but I never made pudding. Nobody made pudding, from what I could gather. Ice cream was eaten in the street, and anything sweet was bought in and consumed at breakfast.

I think Donatella would have approved of this dish. When I threw in the bay leaves and lemon rind I thought of her. It takes a certain amount of confidence to leave things be and she was nothing if not self-possessed. I think that’s what I learnt most from her – that the best cooks do less. I hope she would be proud.

Blades of mace

Blades of mace sounds like a song by Motorhead. Actually, it’s the lacy covering of the nutmeg, technically speaking the dried aril. It can be used interchangeably with freshly grated nutmeg, added to clear soups and sauces as well as cakes and bread, though it is subtler and more delicate. It is marketed in pieces called blades and has a lovely orange hue reminiscent of saffron. This recipe asks for two blades, but be as free as you dare.

Ceylon cinnamon

These quills of Ceylon cinnamon are quite different to the tougher Cassia bark we are all used to. They are crumbly and parchment-like and break apart like decaying cigars. They smell noticeably of lemon, are subtler than your average and are very different to the spicy, dry ‘hit’ of cinnamon powder. The only drawback is the bits of wood get everywhere and you end up spitting them out in a rather uncouth way.

Spiced prunes with lemon and bay

Adapted from Elizabeth David’s Christmas, edited by Jill Norman

500g/1lb large prunes (preferably unpitted)

2 5cm/2ins pieces of cinnamon

2 level teaspoons of coriander seeds

2 blades of mace

4 whole cloves

Rind of one lemon (and add the peeled lemon too)

2-3 torn bay leaves

Put the prunes, spices, bay leaves and lemon in a bowl or earthenware casserole dish. Just cover them with cold water. Leave overnight. The next day, cook the prunes in an uncovered casserole in a low oven, or in a pan over a very low direct heat until swollen but not mushy. About half the cooking water will have evaporated. Take out the fruit and remove the stones. Heat up the remaining juice with all the spices, until it is syrupy. Pour it through a strainer over the prunes. Eat cold.

Trip to Suffolk, 1974

08 Wednesday Jul 2015

Posted by Sophie James in Uncategorized

≈ 10 Comments

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Countryside, England, Food, Stories, Suffolk, Summer, Travel

I went to Suffolk and must write it all down before I forget, although much of the information was complex and hard to follow, compelling, beautifully described, but opaque. A bit like snooker, a game I love to watch precisely because I have no idea at all what is going on. I took a lot of photos. And if you want the science of it all, I would not be remotely offended if you went elsewhere.

I will however, as Noel Coward once advised, press on. This is a field of rape, and that is Sam Fairs, the owner of the field. It is mainly past flowering now (the spectacular yellow blossoms come in mid April to the end of May), so you are looking at the seeds housed in these long green pods. The seeds are the thing – they are pressed for their oil, on site. They are cold-pressed. A bit later, we went to watch this cold-pressing and the smell was interesting; yeasty, hops-ish, reminiscent of linseed. Sam and his family also grow winter wheat, winter barley, borage, marrowfat peas, but we weren’t here for that.

We were here for the rapeseed and its oil. I had already had an introduction to Hillfarm Oils (Sam and Clare Fairs’ extra virgin cold-pressed rapeseed oil) because I had been invited some months before to a meal where everything had been cooked using it. We even had the seeds speckled over custard for pudding – chalky, black things, tasting of dust and the outside. We had rape greens too. But I was amazed mainly by the colour of the oil – yellow, as if you could melt buttercups – and the flavour which everyone tells you is nutty and that is really the only word. Rich, nutty, warm, slightly grassy and always different, because like olive trees, there will be subtle differences in flavour based on the soil, the terroir, the weather. It’s our olive oil is probably the best way to look at it, we have it here and it grows brilliantly, though pigeons can be a menace.

The objective of any plant is to reproduce. This is apparently our objective too (As Sam put it, ‘growing more of me’.) When it comes to the rape plant, the oil is there to protect the seed, so it can do that, so it can carry on, so it can throw itself about. The farmer’s job is to capture it, harness it, pressing the seed to get the oil out. The way it was described it felt tantamount to murder. But in a good way. It made me think about what I was stepping on, what I might be killing mindlessly, where I am in the scheme of things. That plants are like me.

To return to the rape fields for a minute – they are presently green and house families of foxes that you can never see. There are butterflies, bees and insects. Come harvest time, the rapeseed pods will be brown and shatteringly fragile. But for now it is an endlessly waving green sea and all I wanted to do was run headlong into the midst of it, get lost and miss lunch.

Although I’m glad I didn’t because lunch was ice cream, scotch eggs, smoked mackerel and other exceptional cold collations, all locally produced, and later from the Cakeshop Bakery focaccia made with (actually doused is the word) rapeseed oil, speckled with crunchy salt, and an amazing root cake (below), made with beetroot, carrots, and the oil again. It was all really delicious. We ate it sitting in the Fairs’ garden. The tree behind us housed a family of little owls. There were bats living in an outbuilding nearby and house martins somewhere behind me, under the roof. The next day we even saw a murmuration of starlings as we passed round a Blythburgh piglet and the sky turned dark above us.

There are no motorways here in this part of Suffolk and no out-of-town supermarkets, no superstores. There are hardly any chains at all. The doughty and magnificent Caroline Cranbrook saw off Tesco more or less singlehandedly some years ago. So for two days it was like living in 1974, but with our modern sensibility for a flat white and the urgency for soya milk.

At the hotel, there was no internet reception – it was down for the whole evening – and we created our own murmuration, swirling around in the lobby trying to ‘find’ a signal. Until we gave up and gave in to the deliciousness of being untraceable for a whole evening and a whole night. In the morning, we talked about life before phones over scrambled eggs. What did we do? It is almost unthinkable now, a childhood with no signal, no texts, boredom, back at dusk or before dinner. What about work? People wandered off in singles or twos to take photographs or walk to Framlingham Castle, phones waving in the wind. Suddenly ten texts, endless vibrating, cheers etc.

Later we were deposited back to the station at Darsham, to the branch line taking us to Ipswich and then to London Liverpool Street where modernity, mobile phones, Boots and angry people in a hurry eating crisps awaited us. We said our goodbyes and dispersed into the melée. Tired and full of pork and cake, but happy.