Just stop it

20 Sunday Feb 2022

Posted by Sophie James in Recipe, Uncategorized

Tags

Cooking, Devon, Food, Home, Meat, Nigel Slater, Recipes

I’ve been making stew. It’s hard to fathom why in the almost ten years since I started writing this blog I have not written about stew before. Stewed prunes don’t count. Also, pressure cooked stews don’t really count either, because you don’t have anything to do once it’s on the hob. And I have too many memories of holding the screaming pot under a cold tap, the way it all suddenly went wrong, the lid clamped shut, steam billowing into my face. I can’t do pressure cookers.

This is a French stew, one where you need to stand over it or nearby. I watched my friend Pippa (above) make it, in her kitchen the other day, under a low ceiling, in the Teign Valley, in Devon, on the western edge of Dartmoor. I could give you the postcode, but it wouldn’t conjure up the feeling. And what was that feeling? The feeling of slowness, of the juice of meat, of onions. Of chats, of being away for the first time in two years, properly away, no internet signal, no service on my phone, with friends. Friends! We didn’t watch that show, but we did watch Frasier in the mornings, as a kind of primer for the day. It made me think of Cheers, and also how sexy chinos are on a woman, particularly on Roz in Frasier, who wore them high and belted. I have forgotten to watch comedy, and it is a good idea, during these weird times to do that, and in the morning.

I grew up in Devon. East Devon; Ottery St. Mary, then Exeter. I lived in this county almost from birth until I was sixteen years old. I had an Exeter accent, which is not cute and cuddly, but rather flat and know-it-all, but also lovely in its way. You need to speak as if you are world weary, your arms crossed under a plinth-like bosom, eyes closing against the injustices of the world. I did this at 13. Where’s it to? instead of Where is it? And Bugger me, dun’ee fret? Instead of, Gosh, you’re a worrier, aren’t you?

Because stress is sort of alien here, not in Exeter so much, but out in the country, with the dense folds of trees, sessile oak mainly, and the swooping valley that opens out in front of you, and the red earth, red sand, the burbling of the river Teign and its mineral coldness, its red funghi and green coverings, the moss, the sharp stones under bare feet. No one is on time, strictly speaking. My last morning there was spent looking out over the great swathes of trees in February sunshine, and listening to Mark the builder’s radio – Aerosmith pounding into the clean high-up air, and none of it mattered. I didn’t sit there thinking, oh, if only it was still and quiet. I sat thinking, it is perfect, like this. A person nearby fixing something and me with a cup of tea not thinking about the train I was about to catch.

Lastly, Pippa told me about a woman at a recent festival who sat on a chair up on a hill and listened to people’s problems. She was not professionally trained, but she was a good enough listener. People came to her with a problem and she listened and then delivered her verdict. She called it Just Stop It. The queues for this were round the block, apparently. So just stop it, stop the worrying. Start watching comedy in the morning, drinking cider, seeing people, at a distance if necessary. But go. Stop it and go. And maybe cut down on the peanut butter.

A simple stew

Adapted from Nigel Slater, Tender Volume 1 – and with inspiration taken from Pippa and Ralph.

I used cider instead of beer – which is what NS calls for here and Trappist beer at that – but it worked well. I added shredded Brussel sprouts too. NS recommends as the ideal accompaniment, ‘boiled potatoes as big as your fist, their edges bruised and floury.’ The inclusion of apple sauce is optional, but it works well together: ‘the point where the sharp apple sauce oozes into the onion gravy‘.

Butter, a thick slice

Stewing beef – approx 750g

Large onions – 2

Thyme – a few sprigs

Plain flour – 2 tbs (you could use cornstarch if you’re GF)

Beer or cider – 2 bottles (500ml approx)

Bay leaves – 2 or 3, torn

Redcurrant or apple jelly – 2 tbs

Apple sauce (optional)

Apples 5 or 6, the sharper the better

Butter, a walnut-sized knob

Sugar, a little to taste

Ground cinnamon, a knifepoint

Preheat the oven to 350F/180C/Gas 4. Melt the butter in a large casserole to which you have a lid. The heat should be ‘quite sprightly’. Cut the beef into four pieces, each nicely seasoned with salt and black pepper, then introduce to the sizzling butter. Let the meat colour on one side, then turn it over. Peel, halve, and thinly slice the onions while the meat browns. Once coloured, remove the meat to a plate and turn down the heat. Add the onions to the pan, with the thyme sprigs, and cook over low to medium heat until the onions are soft and golden. Stir in the flour and cook until it is the palest gold colour, then pour in the beer/cider and add the torn bay leaves. Once the sizzling has subsided and it is approaching the boiling point, return the beef and its juices to the pan and turn down the heat. Season with salt and black pepper, cover with a lid, and place in the oven. Bake for a good hour to an hour and a half. Check it once or twice.

Apple sauce, if using: Peel the apples, core them, and cut into coarse chunks. Put them into a pan with a little water and the butter and bring to a boil. Decrease the heat, cover with a lid, and let cook to a sloppy mess. However, this will only happen with cooking apples. Eating apples will retain their shape. Sweeten with a little sugar and ground cinnamon, then beat with a fork or wooden spoon until smooth (for cookers). Once the stew is done, lift the lid from the stew-pot and stir in the jelly. Check the seasoning, adding salt, pepper, and jelly as you go. Serve with the apple sauce.

Stew is unphotographable. This is the best I could do.

If you are interested, Oliver Burkeman’s bi-monthly newsletter, The Imperfectionist is really helpful for sorting stuff out. His most recent one is here.

His favourite butter

13 Monday Apr 2015

Posted by Sophie James in Uncategorized

≈ 20 Comments

Tags

Butter, Cooking, Food, France, Ingredients, London, Recipes, Stories

I have been cooking for a couple who live in Belgravia, and who spent twenty years in France and pronounce words – certain cheeses – with a proper French accent and when I was younger I found ths deeply unsettling until a friend told me how much she hated the way her Dutch friend pronounced the word Gouda. I am also cooking food from another time, when everyone ate cream daily. They are both slim and energetic older people who think nothing of eating a pudding every day, a gratin, cheese, bread, strong small coffee. Perhaps small is the key here, because occasionally they’ll remark on my portions and intimate that perhaps this is because of Joe’s rather gargantuan needs but in fact he is also a dainty eater. They like ice cream, tarts, pies, but in small amounts and eaten with style – at a highly decorative table in a room that I have seen but not yet entered.

“You can’t get food like this anymore”, the man said, as he passed me my ’empties’ from the previous day’s dishes – fish pie and lemon posset. “You can’t get it in a restaurant. Nobody makes this kind of food nowadays.” Dressed crab. Bisque. Onion tart. It’s true that no one quite eats like this. We are more timid perhaps. Shy of milk, the presence of Parmesan, nothing too florid, too lavish. “We love soufflés, Shepherd’s pie, sticky toffee pudding. No couscous.” These were my instructions delivered by phone and every day my journey takes me past that old London; Harrods with the bottle green awnings, the gold lettering, the Natural History Museum, the black railings everywhere, the white window boxes and lurid flowers. Big red buses. It’s hard not to feel a child again on the approach to Hyde Park Corner. You can imagine never seeing the same person twice. The doormen at the Wellesley. European women in varying shades of caramel, hair the same colour as their coats.

And then doing battle with that enormous roundabout. It’s probably not called a roundabout, but if you’re not already in the right lane, you find yourself going to Victoria station. Right in the centre is a bizarre series of enclosures impossible to navigate on foot. I’ve done it many times in the past and on every occasion have resorted to asking a stranger how to get across and together we have had a meltdown. I have never not had some sort of panic attack here. In fact it was while stranded under the Wellington Arch seven years ago that I decided to give up coffee. And always leave the house with at least ten pounds cash so I can hail a cab.

There’s possibly some Freudian impulse that has brought me back here, to a lilac mews seconds away. That and the money. I dropped off my portions today – smoked haddock in a mustard and Parmesan cream, homemade ice cream, chocolate sauce, ‘mocha-d up’, they said, approvingly. They love potatoes, so there’s them, new. And as I was leaving we talked about potted shrimp. He told me about his favourite butter only available in France. Jean-Yves Bordier. They both said it in a way I wouldn’t dare, with the breathful ease of two people who eat beurre and cheese every day of their lives. Who knew their French builders’ elegant coffee habits. And the life of weekly markets.

Occasionally I imagine that this is me – with my own favourite butter, for example. A liking for a specific farmer or greengrocer, someone who knows his peaches. I do actually: his name is Paul from Twickenham and he told me the other day about his grandma who made amazing rhubarb and strawberry crumbles for everyone and died sitting up, right there in the street on her stool, next to the fruit & veg. She was given a proper costermonger’s funeral with standing room only. But I wonder if that is sufficiently singular – whether it’s enough. It’ll have to do for now. I’m off to buy three tubs of cream and a tranche of Parmesan.

Is it me, Lord?

02 Tuesday Dec 2014

Posted by Sophie James in Recipe

≈ 27 Comments

Tags

Cooking, Food, Ingredients, Jazz, Jokes, London, Nonfiction, Recipes, Stories

I have been making a lot of chicken broth. Boiling up the bones and doing a lot of skimming and straining so that all that’s left is the clear liquid to which I add a few choice vegetables. There is a lot of condensation during this process and all our windows steam up. I feel soothed. It reminds me of Ella. Ella was my landlady in Kilburn, north-west London, who took me in at a moment’s notice the night before starting my three-year stint at RADA. I had nowhere else to go. I found her notice advertising a room pinned on the board somewhere and went to a phone box and called her. She immediately invited me over and there she was, diminutive and smiling, and we sat at her table in the kitchen and she offered me food and we decided that I would move in the following day.

I stayed there nearly a year and regretted leaving and wish to this day I hadn’t. I reminded her of Doris Day, she said. It was a modern, modest house and it was always warm and I seem to remember quite red. There were photos everywhere – of Jazz bands, of singers, of the American pianist George Sheering who she had known in Chicago where she’d lived for a time as a singer.

But it was her kitchen I remember most. It was small but well-stocked. I had never seen a fridge as full. Stewed fruit in black juice; prunes and apricots, a few curling lemon rinds. I never remember there not being a bowl of her stewed fruit in the fridge covered in clingfilm. And chicken soup with matzo balls that reminded me of school dumplings. I remember the blue box of matzo meal always in the cupboard and the practiced way she said the word, which was new to me; it sort of flew out of her mouth. There were beads of fat that floated like sequins on the surface of the soup, and endless chicken. I was fed. Sometimes I would get out of bed, and open the door to find her holding a plate of toast or a bowl of porridge for me and then she’d collect all her teaspoons. Or I’d come home to find the hushed quiet of a bridge evening and glistening noodles for me in the kitchen.

Sometimes we sat at the kitchen table and talked: she told me about her love of Las Vegas, of her life in Chicago before coming back to London with her two young sons and starting from scratch alone. We talked about performing. She loved Bette Midler and sometimes she’d play the video of her on Parkinson or we’d listen to George Sheering who she couldn’t believe I’d never heard of. Or she’d tell me jokes or sometimes sing with her microphone along to a favourite piece of music.

I think she found me surprisingly dull. I was an actor but not, like her, an entertainer. I was just finding out what that was: there were entertainers, there were performers and there were actors. I was an actor. I wasn’t as good as her at anecdotes, at the knack of turning your life into a skit. She got one joke out of me, which she made me tell whenever she had her family to dinner. I would dread it because the humour lay precisely in the delivery and timing. Having grown up adept at silly voices and mimicry I was having my ‘funny’ rammed out of me at drama school. But Ella made me do it.

It’s the last supper and Jesus is with his disciples. He decides to speak to them. “I know that one of you will betray me”, he says. There is consternation amongst the group and a stunned silence. One of them, Matthew, finally asks “Is it me, Lord?” “No, Matthew, be assured. It is not you”, Jesus replies. After a brief silence Luke asks the same question: “Is it me, Lord?” Jesus smiles and rests his hand on his shoulder. “Luke, fear not. It is not you.” One after the other the same question is asked. Finally, it is Judas who speaks: “Is it me, Lord?”

And Jesus looks at him and screams (imagine a vicious mimic): “Is it ME, Lord?….Is it ME, Lord?“

Actually it was me. I did the Judas thing and left her for a yellow room under the flight path in Fulham to look after a small French boy and was never offered anything to eat except once when I was given a soft-boiled egg in aspic. It meant I could live rent-free and stay at drama school where I was investigating my breathing, amongst other things. She was the nicest person who’d ever looked after me. She died last year at the age of 87. This recipe is for her.

Chicken broth

Adapted from my mother-in-law, Susan Travers

This version requires the chicken broth to be cooked twice; once for 2-3 hours on day one, then the next day for around four hours with a sleep overnight to help all the flavours concentrate. Having made chicken broth many times, cooking it for four hours ‘only’, I can say this twice-cooked method (cooked for me and lovingly) surpasses all my efforts: it takes the broth beyond the flavourful brown water stage into deeply rich bovine jelly. It is worth the wait.

Serves 4

1 medium free-range chicken
2 large leeks, washed and chopped in half
4 carrots, peeled and left whole
1 whole head of celery, trimmed
1 large onion (red is sweeter)
1 small bunch of parsley
1-2 sprigs of thyme, rosemary or 2 bay leaves
1 tsp of sea salt (also season later to taste)
1 tsp of black peppercorns (optional)

Put everything into the largest saucepan you have and cover generously with water (it should be about 2 inches above the bird), and bring to the boil. Then turn down the heat, skimming off any scum as it appears (and keeping the ‘schmaltz’ – chicken fat – for your matzo balls if you want to make them) and simmer very gently for about 2-3 hours, partially covered. There should be the odd bubble but nothing more.

Turn it off and let it sit overnight. Keep it covered. This pause in the cooking helps concentrate the flavours. The following day, bring to the boil once more, then simmer gently for around four hours, partially covered again.

There are two methods for serving: You can strain the soup using the biggest sieve or colander you have, into another pan. Add whatever vegetables that have kept their shape. When the chicken has cooled slightly pull off what you like and add it to the broth. Add some more parsley. This method will give the broth the appearance of a consommé – clear and rather elegant. Or you can simply ladle straight from the pot into a soup bowl; mucky but good.

Tentacles

03 Thursday Jul 2014

Posted by Sophie James in Recipe

≈ 7 Comments

Tags

Cooking, Fish, Food, Ingredients, Los Angeles, Recipes, Sea, Stories, Travel

You may not be of the tentacle persuasion. These are the tentacles of squid, and we peeled back the skin, disgorged the innards, threw away the eyes, and sliced the slippery white meat into rings. The tentacles we left alone, simply dragged them through flour and threw them into a bath of hot oil where they instantly froze, like the statues in Pompei. The squid is from Monterey, considered ‘local’ here, though it is over 300 miles away, going north.

This is strange to me, unfathomable really, given that we can drive to the sea in 45 minutes and swim in gorgeous, crystalline water. Malibu: a place where we have witnessed the sight of three stately California grey whales breaching the surface, their wondrous sheen, their size silencing, so that all we could do was point open-mouthed and watch as they shot up their water for us through their blow holes (not sure if that is the technical term). And then there are the pods of dolphins, the seals that pop up nearby as you’re swimming, darkly sleek and chubby. The pelicans fly slowly in a line, quite low, as if to be menacing. I don’t know where they are going.

Today we watched a man pull a ray fish from the sea, a huge flapping thing that he slipped back into the water, pushing it in the direction of the outgoing wave until it complied and disappeared. The place is teeming with life. But the fish we buy comes from Santa Barbara or beyond.

To clean the squid, pull the head away from the body and with your fingers empty out the body cavity (which includes the ink sac – wear an apron). The cuttlebone will be in there too, transparent and flimsy – remove it. Now gently pull the wings free from the sides and slip off the purple membrane. Rinse under running water and drain. Cut into thickish rings (about 1cm diameter).

Keep the tentacles together by slicing just above the join. Remove the eyes and mouth. I keep the tentacles intact and fry them whole. The five squid I bought made up 1lb which was just enough for the two of us. There are those who like to soak the calamari in milk to tenderize it, and having done this once I don’t think it makes a great deal of difference. So, when you’re ready to cook, mix together equal amounts of plain flour and cornflour (cornstarch) with a pinch of sea salt. Fill a large, heavy-based pan a third full with sunflower or vegetable oil and heat. Throw in a pinch of flour and if it sizzles furiously, you’re ready to go. Drain the squid pieces well and pat dry, then drag them through the flour and shake off any excess. Fry in batches and when golden brown remove them to some kitchen paper. Sprinkle with salt and serve quickly, while they’re hot, with wedges of lemon.

Life is butter

15 Tuesday Apr 2014

Posted by Sophie James in Recipe

≈ 21 Comments

Tags

Cooking, Food, Ingredients, London, Los Angeles, Recipes, Singing songs, Stories

melon cauliflower. Get it? Life is but a melancholy flower. I used to sing this as a round in the days before iPhones and laptops. Before all the screens. We would sit in a circle in the garden and sing. That’s how we got our kicks. Singing songs and then cooking porridge if it all got too much.

Most of the songs were Elizabethan, and almost all were sad; someone was dead, or they refused to marry you, or you were trying to persuade the ferryman to ferry you over to the place you’d rather be, or there was a rose you knew who would remain forever a spinster. We would often begin in the spirit of silliness and jocularity and steadily it would overcome us, the words sung in strange counterpoint, soaring and dying; My poor bird wing thy flight, far above the sorrows of this sad night. And before we knew it, we were gone, transported to this other place of words sung and soaring.

I learnt the songs predominantly from a girl called Helen who I met in Rome when I was on my academic year abroad, and who then moved to London around the same time I did. She had a French girlfriend called Valerie and at that time it was trickier being gay in Rome than in London, and better all round for work, so they moved. It was her garden in north London that we sang in and occasionally she would accompany the rounds with her recorder. I don’t know what it is about the recorder but Helen stamped on any snickering which only led to more, and us having to begin again. It was better without.

I have no idea where Helen is, because this was before social media, and I lost her phone number many address books ago. She is lost to me. I don’t even remember her surname. We laughed a lot in Rome, where we helped out at an international school and managed the outings for the children (three months of panini and prosciutto, always warm and wet from the heat of the bus, and an orange). There was a lot of snorting and inappropriateness, looking back. We would never have been allowed if the time was now.

Those summer evenings in Helen’s garden got me through the London roughness after Italy, and I lazily lost touch because at that age I thought the world was full of Helens. I still can’t look at a cauliflower and not think of her. And I don’t know many people these days whose idea of bliss is to sit in long grass and sing for hours on end and then get up and make salty porridge.

I sometimes wonder what she’s up to, but I never worry. My grandmother would have said ‘she doesn’t make enough of herself’ because she wore no make up and scraped her wild blonde hair into a bun, but we were all tomboys and wore the same clothes day in day out, and nobody seemed to mind.

And actually, life is butter. Not sure about melons, though they’re perfectly nice. And cauliflower – well, let’s see. They are so much in abundance in the farmers’ markets here in LA (see how I did that? Got on a plane, crossed the Atlantic and before you know it…) and appear in a variety of colours and sizes: purple, popcorn-yellow, small as apples, big as bazookas. I chose one that looked as if it had been smoking Gauloises its whole life, roasted it with some anchovies and garlic and a few glugs of olive oil. The anchovies disintegrate into a salty tacky juice which works very well. It’s really brown salt. For Helen.

Roasted cauliflower with anchovies and garlic

Adapted from table366

Head of cauliflower, chopped
Parmesan cheese (optional)
Tin or jar of anchovies
Olive oil
4-5 cloves of garlic, unpeeled

Oven Proof Dish (8×8 or 9×11 is a good size) lined with parchment

Preheat the oven to 400F/200C. Spread the cauliflower out evenly in the dish in one layer (otherwise it won’t cook as well). Drop the anchovies round and about; remember they are very salty, so the more you use, the saltier the dish will be. Pour over a few glugs of olive oil; you want to wet the cauli but not completely drown it – say 4 tablespoons. Salt (very lightly if at all) add the garlic and give everything a good toss with your hands. Roast for 20-25 minutes until the cauliflower is slightly caramelized and the anchovies have melted. Stir and then grate over some parmesan or whatever hard cheese you like as long as it’s the melting kind – you can leave it out entirely and it will still taste lovely. Roast for another 5-10 minutes so the cheese has a chance to thoroughly melt. Let it sit for a little bit so it doesn’t burn your mouth or serve at room temperature.

Paul’s cod

27 Thursday Mar 2014

Posted by Sophie James in Recipe, Uncategorized

≈ 11 Comments

Tags

Cooking, England, Fish, Food, Ingredients, Lemons, Recipe, Sea, Stories, Sussex

‘Local cod’ said the sign outside Paul’s Plaice, the only fishmonger left in Seaford, and then you go through the little chain-mail curtain into a shop that smells of the sea.

Paul works alongside his brother and I’ve never worked out which one is actually Paul, although it’s been explained to me enough times. Perhaps my brain has discounted it because it needs to stay alert for ‘novelties’ such as an oncoming car or a mountain lion. Apparently this is what the brain does, it has this discounting mechanism which I read about in Where’d you go Bernadette. I have also discounted the sea which roars all through the day and night outside my window. Every day it lies there, a different colour, doing something slightly different with itself. Occasionally it catches me and I notice it – a thin pencil line on the horizon or a big mushroom cloud of rain the same gunmetal grey as the waves, gulls flapping over a fishing boat like washing on a line, something suddenly surfacing – a snout? – and then going under. Then I forget.

Back in Paul’s Plaice, I notice a box of tiny fish as small as matchsticks with the name Smelt written above, which I think sounds rather Dickensian. They’re baby whitebait, according to ‘Paul’. They look too small to taste of anything, too fragile, almost pre-fish. They also have local plaice and cod, and everything is from the nearby fishery. They’re caught trawler style, because netting taints the fish with all the seaweed that gets caught up with it. What about line-caught, I ask him. ‘That’s just a bloke standing there with a fishing rod’, he says. ‘I can get it for you but it’s really expensive.’ I know from past experience that my mother has got mackerel for free by walking past a full bucket at just the right time, but obviously this takes a certain louche opportunism that is beneath Paul, who I can only describe as ‘bubbly’ though I know that makes him sound like an Avon lady.

I cooked the cod and let me tell you it was so flipping good I went out and bought another three pieces, and ‘Paul’ thrust a whole handful of parsley into the bag for good measure. It was meaty yet tender, and chunks dissolved, not actually like butter, but with a gentle yielding buttery quality. I baked the cod in one of those parchment parcels, where it steams but also seals without drying out. You want the cod to somehow give itself to you, each layer opening, each cavity glistening, the smell of lemon and salt and heat and herbs, pale discs of pearly white, soft and supple. I think I’ll stop now.

Cod in a bag

With advice from Paul

Serves two

2 pieces of cod fillet, cut from the thick end (3 cm/1½ inches thick)

Olive oil & a small pat of butter

Lemon juice and the rind of 1 lemon

Sea salt

Fresh parsley (about four healthy sprigs)

Parchment paper

Butcher’s twine

Preheat the oven to 180C/350F. Arrange 2 sheets of parchment paper on a baking tray about double the size of each cod fillet. In the centre of the sheet put the cod and add what you like: here I added a pat of butter, some fennel fronds, a little glug of olive oil, a squeeze of lemon juice, the lemon rind cut thickly and some sea salt. But you can add anything; bay leaves, thyme, chillies, garlic, thinly sliced potatoes etc. Pull the corners of the parchment paper together and twist shut. Secure with some butcher’s twine. Slide the tray into the oven and bake for about 15-20 minutes. Open the bag to check it’s done and sprinkle the insides with chopped parsley.

Frilly

20 Thursday Mar 2014

Posted by Sophie James in Recipe

≈ 20 Comments

Tags

Cafes, Clarissa Dickson Wright, Cooking, Ingredients, Meat, Recipes, Stories

I like flowers, particularly ones you can eat. These are wild garlic leaves (along with their flowers) that I found festering in the heat and growing through the railings of a building I have often wondered about, mainly because it’s called Corsica Hall and that sounds quite grand and Corsican though I gather it’s neither. You can smell it, the wild garlic, as you approach; that oniony heat, suppurating and cleansing and sweeping everything out like a broom. In fact it looks when washed rather like a collection of spring onions, and the general taste is milder than a clove of garlic. It can get a bit lost. What to put it with? Meat. Yes, go on. A bit of animal.

I have been discussing such things with my new friend the café owner in town. Every time I go in to have a cup of tea (last one free with my loyalty card) we talk quickly and furtively about food. Scandi, she said, that’s the new thing and I said yes, because I saw a TV programme with Hugh Fearnley-Whittingstall in which he shoved onion flowers into the crevices of a huge leg of lamb just before barbecuing it and this was in Denmark. Then she has to go away and serve people but I know in her body language that she will come back and add something. So then she tells me about infusing flowers into custard, and this is absolutely the perfect time; gorse, rosemary, broad bean, dill, fennel flowers. Our conversations are quite tense because time is of the essence and everything must be boiled down to the bare essentials. I found garlic flowers. Really? Yes, I’ll bring you some. Okay, brilliant etc. And then today, I dropped off a small stash tied together with cotton. She wasn’t there which was just as well. A waitress put them in the fridge. I was like her dealer.

I think I may have found my perfect café. There’s a man who is there every time I go, and generally he drinks coffee, but the other day he was nursing a glass of white wine at eleven o’clock in the morning, and reading the paper with exquisite slowness. And they have a mushroom man, and they line-catch their cod from the seafront. And they made their own tables. I would like their life.

Meat reminds me of Clarissa Dickson Wright who died at the weekend. She didn’t just cook a lot of meat, she believed in it, loved animal fats, found vegetarianism deeply unsettling, and was generally a force of nature of the old-fashioned kind. Her appearance on Desert Island Discs is probably my all-time favourite interview ever, particularly in the face of the withering Sue Lawley, who is clearly trying to chasten her into admitting that the food she championed was unhealthy. “I’d rather eat a cream cake than take Prozac”, she shot back, mischievous and right. Also, scholarly, fun, unruly, brave. And sorely missed.

Grilled lamb chump chops with wild garlic

With help from Nigel Slater

50g garlic leaves with bulbs and flowers if possible
Juice of half a lemon
a little olive oil
2 lamb chump chops

Lay the chops in a bowl and add the oil and lemon juice, salt and pepper, and give it all a swish so the meat is lapping it up. Chop up the garlic leaves roughly and add to the bowl. Press a few of the wild garlic bulbs & flowers into any cuts or crevices you can find in the meat. Allow this to sit at room temperature for a couple of hours if you can, moving the pieces of lamb around now and then and giving them a little knead. Alternatively, you can refrigerate overnight covered in foil.

Heat the grill to very hot (a charcoal grill is ideal but timings will vary according to how much heat you’ve harnessed. For this recipe, the assumption is you have a grill where the heat comes from above). Grill the lamb till firm and slightly charred at the edges, with as many of the leaves as possible tucked underneath. The lamb should be pink in the middle – about four minutes on each side. Serve with a few scattered flowers and left-over leaves. Lovely with new potatoes.

Ripe

23 Saturday Nov 2013

Posted by Sophie James in Recipe

≈ 24 Comments

Tags

Autumn, Cooking, Dessert, Fruit, Ingredients, Los Angeles, Recipes, Spices, Stories, Sussex, Unbuyables

Steaming pineapples and musky roses. Damp, heady and sweet. A bit like a fruit and veg shop. That’s the best I can do when it comes to describing the strange perfume of quinces. Warm and wet? Sultry. They smell like perfume. I’m at a loss.

This is also what happens when I’m asked (and this happens a lot) “how do you find LA?” I haven’t yet found it, I want to say. I’m still at a loss. Sometimes words are tricky and some things are hard to grasp. There’s no ‘it’, there’s no graspable thing. The quince is yellow when ripe and is almost waxy, and it smells definitely of pineapples. It is hard in the hand – there’s no give in it, unlike a pear which it resembles. A pear with a big bum. You can’t eat it raw unless you like having bloody stumps instead of teeth. You have to wait for the fruit to become bletted, which means soft to the point of decay, if you want to eat it like that. The quince needs to be cooked, and then there’s the smell (see above). It’s probably what is known as an acquired taste.

LA is dry and hot and sunny most of the year. Sometimes it rains and then it buckets down and no one knows how to drive when the road is wet so they crash. There is no centre, but lots of grids. So if you get lost, then you just take the next left and go backwards. It is a maze of suns. Everyone wears sunglasses all the time, even at night. It is a city of endless fragments where you are unlikely ever to bump into anyone you know. If you want to get lost, it’s a good place to be.

There is a huge botanical garden, The Huntington, with a library attached that has the first edition of Darwin’s The Origin of the Species. Oskar Schindler lived above a dry cleaners in Beverly Hills for a while. David Hockney learned to drive in LA (and drove all the way to Las Vegas after his test, because he didn’t know how to get off the freeway), as did I. The smell of wild fennel is strong, and I would say it is a place of colour. It is rarely damp.

I found these quinces in a bag on someone’s front lawn on the outskirts of Seaford. Previously there have only been apples there, so discovering quinces was very exciting. I hope it was okay for me to take them. I took all the other things they left out, and nobody said anything. You are unlikely to find local quinces in the shops. Along with mulberries, you’re better off befriending someone with a tree and a glut and a kind heart. It is worth it.

One of the many spectacular things about quinces is the way they turn a deep rosy gold during cooking, which makes them rather dramatic and a bit serious-seeming. Good for dinner parties, or just on your own, slumped over a book. This compote is lovely served with yoghurt, cream or ice cream. Good as a sorbet too, or puréed for a tart.

Compote of quinces and allspice

Inspired by Jane Grigson’s Fruit Book, originally from Audiger’s La Maison Reglée, 1692

Allspice isn’t, as I once thought, a combination of ‘all the spices’. The name was coined around 1621 by the English, who likened its aroma and taste to a combination of cinnamon, nutmeg and cloves. Allspice (Pimenta officinalis) comes from a tropical tree native to America, also cultivated in the West Indies and Jamaica. The berries – as seen below – are often tied in muslin and used in the making of preserves and pickles. The flavour, like the quince, is elusive, and works well here.

6 quinces (or thereabouts)

Sugar or honey to taste

3-4 Whole allspice berries

Cut up two quinces – use windfalls for this, as it doesn’t matter what they look like – and put them, peel, core and all into a pan. Cover generously with water. Also peel neatly the four remaining quinces. Add these peelings to the pan, and then the cores as you cut them into quarters. The cores are very tough, so pare gradually away otherwise you’re left with shards and splinters of quince.

Prevent the pieces from discolouring by dropping them into a bowl of lightly salted water. Boil up the pan of quince ‘debris’, and stew lightly until it begins to turn a rich amber. Not red as many suggest – you’ll be waiting forever for that. Now strain off the glowing juice, add sugar or honey* to taste, and bring slowly to simmering point, stirring every now and then. In this syrup, cook the quince pieces along with the allspice berries, until the fruit is tender. Serve with something white and cool.

Allspice berries

Other recipes with quince:

Quince paste with Manchego

*I have not used honey in the making of this recipe so far, though it was used traditionally, before the advent of sugar. However, you may need to experiment with the strength and sweetness, as honey behaves differently to sugar in the cooking process.

The short life of pears

12 Tuesday Nov 2013

Posted by Sophie James in Recipe

≈ 16 Comments

Tags

Autumn, Cooking, Dessert, Fruit, Ingredients, Lucas Hollweg, Recipes, Somerset, Spices, Stories

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There was a pear tree outside the window in Watchet. Conference pears that suited the palette of the place. Seaford was grey – pewter grey, oyster grey, pinky grey after the sunset. And Watchet was the full spectrum of brown. Deep russet, rust, coral red, the sand on the beach brown like earth, the red earth in the fields slack with rain, giving us all ‘ginger boots’ (dad’s phrase). High iron deposits in the soil, that’s what.

And even though there were tons of apples – in fact so many no one knew what to do with them all – pears were what we ate. And I love pears. I’d rather eat a pear than an apple. No peeling required. The juice is more forthcoming in a pear, the softness a surprise.

I was allowed to pick the pears, as many as I wanted. A lot had fallen on the ground, and were in the process of rotting back into the earth. It was the perfect time for them, almost to the day – ‘the tradition is to pick them on or soon after 1 November and then watch them as they come to perfection’ according to R.H.L Gunyon – and it was lovely to see how many sizes they came in, unlike the Stepford Wives versions I’m so used to seeing at the supermarket.

They were all hard, but this is normal. They should be picked firm and allowed to ripen at home. A ripe pear yields slightly around the stem, but doesn’t split or feel squashy. I ate pears two ways during my stay in West Somerset. The ones I picked I didn’t eat until five days later. I was unconvinced they would work out, but I kept them in my bag, ready.

The first pears I encountered were cooked; they were buttered, sugared, salted, spiced with ginger and cardamom, and phenomenally rich. It was hard to talk about them during or even after eating. My cousin Becky cooked them, following Lucas, her brother’s recipe. Made in the Aga, with crates of apples out the back. I remembered how Lucas used to read cookery books as a child in this house, and now here we were eating his gingery pears, reading them as we were eating them, his limpid prose coming from the shiny page. There are ten minutes in the life of a perfect pear, he wrote. Best get on then, as they say down this way.

On my last day, I picked more pears from the tree, and put them in my bag. None of them felt ready to eat. Even the ones from my first day felt disappointingly robust. Dad drove me to the train station. Another cancelled train. What is it with me and trains? The cancellation this time was due to the existence of ‘disruptive passengers’. We got back in the car. It was two hours until the next one and we were both hungry. It was pouring with rain and now it was cold; proper weather at last.

We ate smoked mackerel and pears while listening to a radio programme about drug overdoses. The pears were perfect. The mackerel was greasy – the savoury to the pear’s sweet. We wiped our hands on an old towel. And because we had two hours, we talked about our memories of things past.

Strange what being in a stationary car will do. I almost missed the next train. The conversation felt too short and suddenly I was out in the driving rain, just in time for the 7.05, the hems of my trousers slopping about in muddy pools. No more pears now, but I’m glad for both lovely meals. Pears cooked, pears raw. Short-lived and perfect.

Caramel pears with ginger and cardamom

Recipe by Lucas Hollweg, originally in Waitrose Kitchen, October, 2013

Pears in cooking often need a little something – another fruit or spice. Lemon juice is good, because it also helps to arrest the pear’s discolouration after peeling. Pears and apples, pears and quinces, pears and greengages, pears and cheese, pears and bay etc. Here Lucas uses cardamom and ginger to spectacular effect – a pudding that tastes of the coming winter. Don’t be shy of the salt.

Serves 4-6

50g unsalted butter

75g dark brown sugar

75g granulated sugar

¼ tsp sea salt flakes

1½ tsp ground ginger

12 green cardamom pods

4 medium pears, peeled and halved

Preheat the oven to 200C/392F. Put the butter in a saucepan with both kinds of sugar, the sea salt and ground ginger. Using a sharp knife, slit open the cardamom pods and shake out the dark seeds from inside. Chop them with a knife (or grind them lightly in a pestle and mortar) and add to the butter and sugar. Warm over a gentle heat until the butter and sugar have melted together.

Pour into the bottom of a roasting tin or ovenproof frying pan that’s just large enough to fit the pear halves in a single layer. Arrange the pears on top of the sauce, cut side down. Place in the oven for 20 minutes, then carefully turn the pears over, basting with some of the hot sauce, and return to the oven for 20 minutes more. Remove from the oven and leave to cool for 5 minutes. Serve with some of the sugary juices spooned over the top and a glug of double cream.

Cry loud the pears of anguish

Parisian street sellers, 13^th century

Cousin of the herring

09 Wednesday Oct 2013

Posted by Sophie James in Recipe

≈ 17 Comments

Tags

Autumn, Cooking, Fish, Herbs, Ingredients, Recipes, Sea, Stories, Sussex

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I’m amazed by how much people know. Forget books and recipes. People just know things here in this corner of East Sussex. Like a silkworm’s food of choice is the white mulberry tree, and birds like eating elderberries; they take them back to their nests and drop the seeds, which is why you get elderberry bushes growing out of the guttering. I know now about sea frets and the right time for mackerel (July, August) and that sprats, the little pewter fish we eat most nights, are also known as the cousin of the herring. That there is sea beet and sea buckthorn and sea kale there for the picking, all along this coastline. And spinach frothing over the headland.

The people I was speaking to make no claims for themselves as cooks. They might have a garden, and they go for long walks. They live by the sea. It’s a casual knowledge, worn lightly. And there I am, drowning in books, wading through endless crumble toppings, and swotting up on the history of the damson.

The sea is mesmerizing here. The East Sussex coast is one long, flat sweep of iron-grey sea with the odd boat, often trailed by gulls. There is a yellow and white ferry that crosses the channel daily to Dieppe and back again, moving soundlessly through our view, from window to window. At night there is the solitary light from the fishermen, either on the beach with their rods or in the middle of the now-black water. In the morning we go swimming before breakfast, before full consciousness, and the water is cold and flat. I’ve never seen such flat water. After LA, it’s bizarre that I can just walk in. I don’t actually bother to put a swimming costume on, but wade into it in my night gear. And the sea at that time is grey-green, with fish that swim away from your feet like tiny strokes of ink.

This is the time for sprats, just small enough to grill a shoal of them and they take the simplest treatment: rock salt and lemon. In mackerel season, the sprats and the whitebait throw themselves out of the water to escape being eaten, and the gulls, while the fish are briefly airborne, take little nips out of their flesh. Either way they’re doomed. It seems an exercise in pure pathos; escaping one tyranny, to be ensnared by another. Often you see the little fish flying above the sea’s surface, skittering over it like birds.

I played around with beheading my sprats as you can see from the different presentations here; however, I do think it’s a shame to waste any part of such a small fish. Delia Smith gives a handy tip down below for gutting if that’s the way you want to go, but again I’m not sure this is necessary. There is something delectable about guzzling a sprat whole and crisp and silvery, down in one.

“First make a small incision behind a gill of each fish and gently squeeze the belly up towards the head to eject the gut, but try to keep the head intact. Rinse the fish well and dry off any excess moisture with kitchen paper before tossing in the seasoned flour.”

Grilled sprats

Heavily adapted from Delia Smith’s Complete Cookery Course

Sprats are very cheap to buy, so they are an economical fish, as well as often being very fresh, and sublime grilled or deep-fried. I think they need to be as crisp as possible – you want them to rustle on the plate – so tossing them in flour is recommended. Whitebait (baby sprats) tend to come frozen, but are equally good, and like the same treatment.

Serves 2 people

1lb sprats (450g)

seasoned flour

Olive oil or groundnut oil

A few sprigs of thyme

salt

lemon

Scatter the thyme on a baking tray. Lay the fish (already floured and lightly salted – see above) on top, burying the thyme as much as possible so it doesn’t scorch. Fleck with some oil and grill for about five minutes, flipping them over halfway through to crisp them up on both sides. They will be brown and quite hard to the touch by the end. You want them to rustle. Serve with a quarter of lemon. Also nice with a mustard and vinegar dressing. Good also for breakfast. Add a bit of salt at the end.