Paul’s cod

27 Thursday Mar 2014

Posted by Sophie James in Recipe, Uncategorized

Tags

Cooking, England, Fish, Food, Ingredients, Lemons, Recipe, Sea, Stories, Sussex

‘Local cod’ said the sign outside Paul’s Plaice, the only fishmonger left in Seaford, and then you go through the little chain-mail curtain into a shop that smells of the sea.

Paul works alongside his brother and I’ve never worked out which one is actually Paul, although it’s been explained to me enough times. Perhaps my brain has discounted it because it needs to stay alert for ‘novelties’ such as an oncoming car or a mountain lion. Apparently this is what the brain does, it has this discounting mechanism which I read about in Where’d you go Bernadette. I have also discounted the sea which roars all through the day and night outside my window. Every day it lies there, a different colour, doing something slightly different with itself. Occasionally it catches me and I notice it – a thin pencil line on the horizon or a big mushroom cloud of rain the same gunmetal grey as the waves, gulls flapping over a fishing boat like washing on a line, something suddenly surfacing – a snout? – and then going under. Then I forget.

Back in Paul’s Plaice, I notice a box of tiny fish as small as matchsticks with the name Smelt written above, which I think sounds rather Dickensian. They’re baby whitebait, according to ‘Paul’. They look too small to taste of anything, too fragile, almost pre-fish. They also have local plaice and cod, and everything is from the nearby fishery. They’re caught trawler style, because netting taints the fish with all the seaweed that gets caught up with it. What about line-caught, I ask him. ‘That’s just a bloke standing there with a fishing rod’, he says. ‘I can get it for you but it’s really expensive.’ I know from past experience that my mother has got mackerel for free by walking past a full bucket at just the right time, but obviously this takes a certain louche opportunism that is beneath Paul, who I can only describe as ‘bubbly’ though I know that makes him sound like an Avon lady.

I cooked the cod and let me tell you it was so flipping good I went out and bought another three pieces, and ‘Paul’ thrust a whole handful of parsley into the bag for good measure. It was meaty yet tender, and chunks dissolved, not actually like butter, but with a gentle yielding buttery quality. I baked the cod in one of those parchment parcels, where it steams but also seals without drying out. You want the cod to somehow give itself to you, each layer opening, each cavity glistening, the smell of lemon and salt and heat and herbs, pale discs of pearly white, soft and supple. I think I’ll stop now.

Cod in a bag

With advice from Paul

Serves two

2 pieces of cod fillet, cut from the thick end (3 cm/1½ inches thick)

Olive oil & a small pat of butter

Lemon juice and the rind of 1 lemon

Sea salt

Fresh parsley (about four healthy sprigs)

Parchment paper

Butcher’s twine

Preheat the oven to 180C/350F. Arrange 2 sheets of parchment paper on a baking tray about double the size of each cod fillet. In the centre of the sheet put the cod and add what you like: here I added a pat of butter, some fennel fronds, a little glug of olive oil, a squeeze of lemon juice, the lemon rind cut thickly and some sea salt. But you can add anything; bay leaves, thyme, chillies, garlic, thinly sliced potatoes etc. Pull the corners of the parchment paper together and twist shut. Secure with some butcher’s twine. Slide the tray into the oven and bake for about 15-20 minutes. Open the bag to check it’s done and sprinkle the insides with chopped parsley.

Frilly

20 Thursday Mar 2014

Posted by Sophie James in Recipe

≈ 20 Comments

Tags

Cafes, Clarissa Dickson Wright, Cooking, Ingredients, Meat, Recipes, Stories

I like flowers, particularly ones you can eat. These are wild garlic leaves (along with their flowers) that I found festering in the heat and growing through the railings of a building I have often wondered about, mainly because it’s called Corsica Hall and that sounds quite grand and Corsican though I gather it’s neither. You can smell it, the wild garlic, as you approach; that oniony heat, suppurating and cleansing and sweeping everything out like a broom. In fact it looks when washed rather like a collection of spring onions, and the general taste is milder than a clove of garlic. It can get a bit lost. What to put it with? Meat. Yes, go on. A bit of animal.

I have been discussing such things with my new friend the café owner in town. Every time I go in to have a cup of tea (last one free with my loyalty card) we talk quickly and furtively about food. Scandi, she said, that’s the new thing and I said yes, because I saw a TV programme with Hugh Fearnley-Whittingstall in which he shoved onion flowers into the crevices of a huge leg of lamb just before barbecuing it and this was in Denmark. Then she has to go away and serve people but I know in her body language that she will come back and add something. So then she tells me about infusing flowers into custard, and this is absolutely the perfect time; gorse, rosemary, broad bean, dill, fennel flowers. Our conversations are quite tense because time is of the essence and everything must be boiled down to the bare essentials. I found garlic flowers. Really? Yes, I’ll bring you some. Okay, brilliant etc. And then today, I dropped off a small stash tied together with cotton. She wasn’t there which was just as well. A waitress put them in the fridge. I was like her dealer.

I think I may have found my perfect café. There’s a man who is there every time I go, and generally he drinks coffee, but the other day he was nursing a glass of white wine at eleven o’clock in the morning, and reading the paper with exquisite slowness. And they have a mushroom man, and they line-catch their cod from the seafront. And they made their own tables. I would like their life.

Meat reminds me of Clarissa Dickson Wright who died at the weekend. She didn’t just cook a lot of meat, she believed in it, loved animal fats, found vegetarianism deeply unsettling, and was generally a force of nature of the old-fashioned kind. Her appearance on Desert Island Discs is probably my all-time favourite interview ever, particularly in the face of the withering Sue Lawley, who is clearly trying to chasten her into admitting that the food she championed was unhealthy. “I’d rather eat a cream cake than take Prozac”, she shot back, mischievous and right. Also, scholarly, fun, unruly, brave. And sorely missed.

Grilled lamb chump chops with wild garlic

With help from Nigel Slater

50g garlic leaves with bulbs and flowers if possible
Juice of half a lemon
a little olive oil
2 lamb chump chops

Lay the chops in a bowl and add the oil and lemon juice, salt and pepper, and give it all a swish so the meat is lapping it up. Chop up the garlic leaves roughly and add to the bowl. Press a few of the wild garlic bulbs & flowers into any cuts or crevices you can find in the meat. Allow this to sit at room temperature for a couple of hours if you can, moving the pieces of lamb around now and then and giving them a little knead. Alternatively, you can refrigerate overnight covered in foil.

Heat the grill to very hot (a charcoal grill is ideal but timings will vary according to how much heat you’ve harnessed. For this recipe, the assumption is you have a grill where the heat comes from above). Grill the lamb till firm and slightly charred at the edges, with as many of the leaves as possible tucked underneath. The lamb should be pink in the middle – about four minutes on each side. Serve with a few scattered flowers and left-over leaves. Lovely with new potatoes.

Snap out of it!

13 Thursday Mar 2014

Posted by Sophie James in Not food

≈ 17 Comments

Tags

Cafes, England, Fitzrovia, Food, Guide, London, Nonfiction, Stories

Actually, I’m fine. And I’m English so it’s my job to suppress all those untoward feelings of failure and loss and give myself boils and cysts instead. And something unusual has happened: I love London! All of a sudden, the place I have hated for about 25 years, give or take a year or two in the middle, has become somewhere rather exciting and magical. I think you have to have a few seminal moments in London; something has to have happened to you there, otherwise it’s just another capital city with a lot of people and escalators. And it’s so expensive it brings tears to your eyes and I will never ever go on the London Eye ever again.

RADA happened to me fifteen years ago. I went up for the day last week and went to the same area, though this time it was to meet the lovely bloggers, Rachel from Rachel eats and Evie from Saffron Strands, and to eat at Honey & Co, the Middle Eastern café (very good cakes, a bit hectic). It’s not that Fitzrovia is particularly beautiful – it’s not Prague or anything (I’ve never been to Prague).

It’s just that when I stepped out at Warren Street tube station, there I was, back in 1997. And it’s more or less the same, minus the porn shops and O’Brien’s, an Irish café that sold the biggest and cheapest coffee and the biggest, cheapest croissants ever, and no one had any money so that was brilliant. And if we weren’t paying – it was a benevolent acting teacher wanting us to do ‘a Pret run’ – then it would be off to Pret a Manger, returning with a box of hot pastries and smouldering Mochas and little change out of a twenty.

But what’s amazing, what’s strange and unsettling is that really it’s the same. If you get out at Warren street tube station, then clearly you’re doing that because you want to go to French’s Theatre Bookshop. I did this the other day and it was still run by a man who looks as if he hates you, because he knows you’re not going to buy anything. He looks a bit like Philip Seymour Hoffman though and I think that’s why on this particular day I didn’t mind his sullenness.

I never liked this shop and still don’t. I’m not sure why; something to do with young hunger and ambition and where it all goes. Then you walk down Tottenham Court Road, unless you want to go the other way to Villandry on Great Portland Street, which is one of those glittering delis with a very posh café and people who look like they have no pores. Instead, you go down Tottenham Court road (past the Scientology shop, don’t go in) to Goodge street, which is where RADA students generally disgorge themselves from the tube station. Goodge street is an interesting street, full of little places to eat and drink and if you walk on you get to Charlotte Street, which crosses it. Charlotte street is home to the Charlotte Street Hotel, where I have taken the odd eye-wateringly expensive tea.

It’s also home to my uncle Alex Hollweg’s paintings and whenever I see them, they remind me of the wooden fruit he made in the same jauntily rich colours that sit in his sitting room. The Charlotte Street Hotel, though they serve nice nuts, deals in the kind of exclusivity and luxe that made me feel forever an outsider. I remember sitting at the bar feeling like a scruff. But I have sat at the bar, and I can say it is a fine place to be, particularly if someone else is paying. My brother for one. I remember it was an evening of convincing; him trying to convince me to do something I wasn’t sure about. Anyway, I did it and it was a disaster. But thanks for the wine.

Back then I would have bumped into people – teachers, other students, Val. (Val worked at the front desk at RADA and basically ran the entire school and I think still knows my bank details. She also knew her way round a bagel). The place was a village in the middle of the city. You couldn’t go a hundred yards without seeing someone you knew, sometimes even someone who happened to be in the area by chance, an old friend apropos of nothing. It was all so easy; I have never quite got that back, that feeling of effortless unfolding, of friendships made blithely. It was that kind of place and time. Young love. So it was all the more delicious when the three of us last week went for a walk after eating. We did the back streets and didn’t really notice anything, too wrapped up in each other and our exuberant conversation. Streets were missed, the tubes came and went, we crisscrossed London, still mithering on about Nigella and Nigel and Simon, our faux friends from the world of food. So anyway, I went back and it was good.

Made me snap out of it.

Nowhere but here

08 Saturday Mar 2014

Posted by Sophie James in Recipe

≈ 22 Comments

Tags

Almonds, Food, Health, Ingredients, Recipes, Stories, Utensils

020

I’ve been here three seasons; a whole autumn, one full winter, the beginnings of spring. That translates as cold, long, dark, wet and angry. Gusty gales, the inexplicable (to me) spring and neap tides, the winter solstice and the darkest night. I’ve watched too many documentaries on BBC4, and I keep bumping into people who think I’ve already left. “Haven’t you gone yet?” “Still here?” or the weirdly judging “shouldn’t you have gone by now?”. And the sun is tepid – bright and cheerful but not warm. At the moment, and this moment is long, there is nowhere but here. Here is where I have a good doctor and no bills, no frightening and incomprehensible bills that have to be explained to me in a way that makes them even more incomprehensible.

Because Obama is still sorting out his healthcare, and for now we have no insurance and to be without insurance with a chronic condition in the US is scary. And people love to tell you how scary; a medical insurance broker in LA, over the course of a two-hour conversation, cheerfully painted a picture of precise Breugal-like horror at what would befall me if I continued to live an uninsured life. One of her client’s had walked out of the door one morning and dislodged one of her eyeballs – or her retina flew off. Or anyway, something happened to her eye and she had no insurance! I probably would have followed Francis Bacon’s lead in this case and popped my eyeball back in, which I read he used to do often after a few stiff ones at the French House.

So I’m here and it’s spring and I’ve already said goodbye at least twice to everyone. I am in that strange, drained nothing-doing state. An oddity in a world where everyone works, a permanent tourist, which is not half as fun as it sounds. And I don’t want to write about leeks or rhubarb, and I have tramped through enough Sussex undergrowth to know that the ubiquitous wild garlic leaves of which everyone writes are having an off year, or simply spring is late. So anyway I started cleaning. Sponging down the insides of my mother’s cupboards, shaking out the bowls and the bits of plastic appendage and the darkly mottled casserole dishes and the 70s colander. This bit was fun, discovering what was there and had been forgotten about. There were things that have followed me from Devon up to London down to Sussex, and sometimes even before my birth; some predate Woolwich!

001

The pestle and mortar originally belonged to my Australian grandmother and came from her home in Sydney. I never knew her really, but I have her postcards and letters in her kind capitals and lots of photos, and a memory of brushing her long silver hair. Now that I am apart from my things, I can see how wonderful it is to hold something like this – its weight and shape, and to imagine fingerprints and palms. The beechwood handle has come unmoored from its porcelain head. There are marks from not sure where or what all over the bodies of both mortars. The very act of pounding is to replicate what she would have done, her hands under mine; a form of conjuring. Spices, herbs, pigments and powders – I know she was a natural alchemist. Maybe, who knows, if I pound away and for long enough I’ll get healed.

034

Pounding herbs and garlic in a mortar is not nearly as arduous as it looks. It is actually very efficient – the whole thing comes together within a few minutes, the addition of oil is very satisfying, and then you’ve made it yourself and probably worked through a few grudges while you were at it. You are also ‘tempering’ the ingredients, putting them back into balance; in the Middle Ages, honey tempered vinegar, wine tempered fish and the mortar was the vessel to do it.* You are in control of things too, able to see and feel when particles become slosh (as it were).

The Catalan sauce romesco is still made in this way; peppers, nuts, oil, vinegar, bread and garlic are pounded into heady oblivion. As is pesto, skorthalia, the garlicky sauce from Greece, tahini, the Turkish classic tarator made with walnuts and stale white bread and Catalan picada, made with parsley and almonds (below).

It’s better to give approximations when it comes to pounding, because this is where feel is paramount, and it’s good to taste as you go; you can always add more of something. Add oil in very small increments to begin and then increase. I like herb/garlic sauces to have texture, with nuggets of this or that. If you don’t, pound on.

My version of a Catalan picada
1 small handful of blanched almonds (about 20)
1-2 garlic cloves peeled & a pinch of sea salt
4 big glugs of extra virgin olive oil
One big handful of roughly chopped flat-leaf parsley
Juice of 1/2 lemon

Crush the garlic with a good pinch of salt in a mortar until you have a smooth paste. Now add the almonds and keep pounding until amalgamated. Now add the parsley to the mortar, a small bit at a time, and pound until incorporated. Add the olive oil, trickling it in slowly and stir well before adding the lemon juice (add the juice after the oil otherwise it’ll turn the parsley brown). Lovely stirred into a fish casserole or simply served alongside mackerel or clams, sprats, lightly steamed veg or chicken, or stirred into salted yoghurt – really anything.

*Consider The Fork, a history of how we cook and eat by Bee Wilson, is a fascinating book and goes into some detail on the history of the pestle and mortar, if you wanted to read on…