The branch line

31 Thursday Oct 2013

Tags

Breakfast, England, Fish, Sea, Storm, Sussex, Trains, Travel

Monday was a day apart. Perhaps that day in 1987 was a similar sort of day, when I wasn’t actually here to see trees felled, and the sea clamber up into houses like a white-fanged monster. Here the doors whistled all night. But it was the sea, endlessly rolling, throwing out the birds, spitting and frothing and covering the beach with spume and creeping ever nearer. At times it was a wall of water, rising up, drawing back. A boy was swept off the beach, just up the road at Newhaven. He’s still missing. There’s something sad and ghoulish about it, with sparse details (his age, 14, not much more), the sea with cruel intentions.

I tried to get a train. Up to London and down to Somerset. Off to see my dad after two years – down to the West Country, the Bristol channel, the other side. No one had slept because of the sea and the wind battering at our windows. 80 mph winds, the papers had predicted, and chaos on the roads and rail, and everyone had smiled because there’s always a joke about weathermen here. It’s either hysterical (the wrong kind of snow!) or underplaying things, like a blushing maiden shy of the clouds. Who can forget Michael Fish and his 1987 blunder about the hurricane that reduced Sevenoaks to one oak – “Don’t worry, it isn’t”, he said, in response to a lady phoning the BBC, worried there might be one on the way.

The taxi didn’t show up, so we hailed a cab in the street. The wind made me feel very light in the loafers. At one point a huge gust ripped open my coat, dragged my scarf on to the street and was unbuttoning my shirt in the manner of a really proactive first date. I had to hang on to a lamp post.

The waiting room at the station was full. My mum worked the room as if at a party. She wasn’t coming with me but was there to ‘see me off’ which normally means posting ten pound notes through the window as the train moves off, followed by a jar of peanut butter. But there were no trains. Sheila worked in Brighton and had been up since 5am ‘because of the wind’. Francoise was going to Liverpool where she was expected by a group of friends. Another lady in a strange hat wasn’t travelling at all and seemed to be there purely to socialize. We joked about drinking so much tea to pass the time that we’d end up murdering people ‘because of the caffeine’. There were no trains, it was clear. There had been no train at 9.25, 9.58, 10.25, 10.58, 11.25 and 11.58. Sheila was going to give it til 12.25, and if that one didn’t turn up she was going back to bed.

We went to a cafe round the corner to wait. When I saw what was on the menu, something in me softened. Beetroot and potato rösti with Weald smoked haddock and a poached egg. You can’t rush a poached egg. I watched him gently spooning it through the water. Could I leave it another day? The predictions had been right for once. The storm, known as St. Jude, had been tracked way back when it was just a few wisps over the Atlantic. They knew it was coming. They warned us: unless it’s essential don’t travel on Monday. It had exacted the kind of damage that brings public transport to its knees, with branches strewn on tracks (we were on a ‘branch line’ fittingly), a bus rearing up like a distressed pony. Gas explosions, wild seas, a lost boy.

I ate the rösti on the platform, the lumbering behind of the 12.25 still visible as it made its way to Lewes. Too full, too few carriages, too early. I got there as the doors were closing. I didn’t bother to protest. No one looked particularly jubilant inside. And it was suddenly a beautiful day. I sat and ate the best breakfast ever from a cardboard box made for the purpose. Ruby patties, fresh and clean, with a hint of horseradish. I think they must have cooked the potato and possibly grated the beetroot raw. The poached egg was rangy as a jelly fish, the yolk meltingly tender. Clumps of haddock fell away. I ate it all with my fingers. It didn’t occur to me, for once, to photograph it. The photo of the sea above was of a quiet day, the moon a quiet night. It was good to give up. I’m here for a while.

Beetroot and potato rösti

Inspired by Sea Salt in Seaford, East Sussex.

Heavily adapted from Hugh Fearnley-Whittingstall, The Guardian Weekend, 5th October.

Rösti are Swiss, from Bern, and began life as a substantial dish for farmers, but this one below is not a ‘trad’ recipe. I’m not convinced about the egg. You could experiment. If you’re not a fan of beetroot, you could grate apple instead. And I suspect this recipe could be happily adapted for parsnips. Parsnips and apple are good bedfellows.

300g firm potatoes

2 medium beetroot

1 egg, lightly beaten (optional)

Sea salt and freshly ground pepper

Olive oil and butter for frying

Put the potatoes (unpeeled) into a saucepan and add cold water just to cover. Salt lightly, bring to a boil, then cook for seven minutes and then drain. They should still offer some resistance to a knife. Once the potatoes are cool enough to handle, coarsely grate them into a large bowl. Peel the beetroot and grate it, raw, into the same bowl. Add the egg (or as much of it as you see fit) plenty of seasoning, and mix. Cook the rösti in batches. Heat a nonstick frying pan over a medium heat and add oil and a knob of butter to come up about 2mm up the sides. When the oil is hot, take a heaped dessertspoonful of the potato mixture and drop it into the pan and use a spatula to form it into a rough patty shape. Add several more spoonfuls without overcrowding the pan. Cook for eight to ten minutes, turning carefully once or twice, until golden brown and crisp all over. Serve nicely warm with horseradish, smoked haddock and a poached egg.

Damp & Soulful

21 Monday Oct 2013

Posted by Sophie James in Recipe

≈ 23 Comments

Tags

Autumn, Baking, Cake, Chocolate, England, Gluten-free, Ingredients, Nuts, Recipes, Stories, Sussex

This is an autumn cake – damp and soulful and lovely with a few late mulberries or some cooked and treacly damsons, as small as olives now. This might also be the time to get out some prunes and soak them in Armagnac (you could lob some into the cake itself). Nuts instead of flour here, which makes it gluten-free. I made the mistake the first time round of putting two tablespoons of spelt in, which was unnecessary and also catastrophic. The 2 tbs were my undoing. I made it for a party and no one would touch it. It was as if I’d announced that there was cat food in it. Instead of flour I now add cocoa powder, and everyone can breathe a sigh of relief. Except of course there’s sugar and butter and nuts and chocolate.

“Do you do anything gluten-free?” the lady asked. She was the carer for a much older lady who she’d just seated with difficulty at a nearby table. Rain drummed on the windows. I was sitting right by the till. It was a lovely cafe, full of rare teas and little glass milk bottles and ironic tea cosies. My head was next to the tips jar. My head was ‘tips jar adjacent’ as they say, and I could have lain it down directly on the counter and had a nap were it not for the pneumatic espresso machine and screaming milk being banged out on to waiting coffees nearby. When did milk become so loud?

The waitress had to shout above the roar of the foam, “Plum and polenta!” She pointed to some sandy mounds under a glass dome. The lady looked at them blankly and then back at the waitress. “You don’t do anything like a baked potato?” There was a moment between them where they both seemed at a loss. “Coq au Vin?” the waitress said eventually. “Is that gluten-free?” “Yes.”

It struck me that the term ‘gluten-free’ had got in the way of this exchange. As if this was what you had to say these days, in these sorts of places. I don’t know why this made me feel sad. I felt sorry for the baked potato. And I’m not sure I want to live in a gluten-free world. I love flourless cakes – cakes made with nuts, for example – because their flourlessness is often germane to the cake’s identity: they were born flourless. But a baked potato isn’t any more gluten-free than my trousers. It was a baked potato first. This is a cake first (or torte…). Enjoy it. I hope there will always be a place for it in our post gluten world.

Chocolate and hazelnut torte

Adapted from and inspired by Emma Gardner’s beautiful blog, Poires au Chocolat

This cake is rather drum-like in appearance, and has less of the fallen soufflé effect common in the flourless. However, its surface does eventually crack reassuringly. I have no idea how the cold-eggs-straight-from-the-fridge idea works, but the proof is in the eating. Keep the cake wrapped in greaseproof paper for up to three days, if you can, to let the flavours develop and deepen. It gets better.

75g whole hazelnuts

2 tbs cocoa powder

170g good dark chocolate (60 – 70% cocoa solids) broken into chunks

140g unsalted butter, slightly softened

150g light brown sugar

Big pinch of fine sea salt

4 large cold eggs (from the fridge)

1 teaspoon pure vanilla extract

Preheat the oven to 180C/350F. Lightly butter an 8″ springform or loose-based tin and line with baking parchment.

Preheat the oven to 180C/350F. Lightly butter an 8″ springform or loose-based tin. Place the hazelnuts on a small tray in the oven and toast for a few minutes until they start to smell and darken slightly. If they have skins, rub as much as you can off with a tea towel. Put into a food processor with the flour and blast until they are finely ground. – See more at: http://www.poiresauchocolat.net/2012/11/chocolate-hazelnut-torte-with-smoked.html#sthash.3zwFHVRy.dpuf Place the hazelnuts on a baking sheet and bake for about 15 minutes or until nuts are brown and fragrant and the skins are starting to peel away from the nuts. Remove from oven and place the nuts in a clean dish towel. Roll up the towel and let the nuts ‘steam’ for about five minutes and then rub the nuts to remove the skins. Let cool.

Put the hazelnuts on a baking sheet and bake for about 10-15 minutes or until the nuts are brown and fragrant and the skins are starting to peel away. Keep an eye on them – they burn easily. Remove from the oven and put the nuts in a clean tea towel. Roll up the towel and let the nuts ‘steam’ for about five minutes and then rub the nuts to remove the skins. Think of someone you hate. Let them cool.

To make the ground hazelnuts: once the hazelnuts have completely cooled, throw them in a food processor, along with the cocoa, and process until they are finely ground. Alternatively, put them in a coffee grinder and do them in batches.

Put a heatproof bowl over a pan of barely simmering water. Add the chocolate pieces and let them melt without stirring. When they look as though they’re almost there, take the bowl off the heat, stir, and add the hopefully rather soft butter, the sugar and salt. Whisk until it’s all of uniform smoothness. It will have lightened a little.

Add the first egg, beat until incorporated, then add the next, and keep going until all four eggs are in and then add the vanilla extract. Whip the mixture on high for 1-2 minutes until it’s stiff and becoming paler. Add the ground hazelnuts and cocoa powder and fold in. Scoop into the pan and level out. Bake for 28-35 minutes, or until a toothpick inserted into the centre of the cake brings out a few sticky crumbs.

Cool completely in the pan on a wire rack. It will rise and then fall gradually, leaving a higher rim of cake around the sides and there will also be some cracking. Wrap in foil or greaseproof paper for up to three days before eating. The flavours become more wickedly intense with time.

70g whole hazelnuts
30g plain flour
170g dark chocolate (I used 85%)
140g unsalted butter, slightly softened
150g light brown sugar
big pinch of fine sea salt
4 large cold eggs (from the fridge)
1 tsp vanilla extract
pinch of smoked sea salt flakesPreheat the oven to 180C/350F. Lightly butter an 8″ springform or loose-based tin. Place the hazelnuts on a small tray in the oven and toast for a few minutes until they start to smell and darken slightly. If they have skins, rub as much as you can off with a tea towel. Put into a food processor with the flour and blast until they are finely ground.Place a mixer bowl (or another bowl if using a hand mixer) over a pan of barely simmering water. Chop the chocolate up and tip into the bowl. Stir occasionally as it melts. Meanwhile weigh out the brown sugar and salt and cut the butter into cubes – it should be starting to soften, not squishy. When the chocolate has nearly melted, take it off the heat and stir until it’s smooth. Place on the mixer (with the whisk attached) and add the sugar, salt and butter. Whisk on medium until the ingredients have fully combined and the mixture has lightened a little. Scrape the sides down then add the first egg. Whip until combined, then add the next egg. Repeat until they’re all combined then add the vanilla and whip for 1-2 minutes on high until stiff and pale.Add the ground hazelnuts and fold in. Scoop into the pan and level out. Sprinkle the smoked sea salt over the top. Bake for 28-35 minutes – a tester should still bring up a few sticky crumbs. Place on a wire rack and leave to cool fully in the tin. Wrap in kitchen foil and leave for at least one day and up to three before serving. Lovely with a big spoonful of whipped cream or crème fraîche.
– See more at: http://www.poiresauchocolat.net/2012/11/chocolate-hazelnut-torte-with-smoked.html#sthash.nKxGe4qV.dpuf

70g whole hazelnuts
30g plain flour
170g dark chocolate (I used 85%)
140g unsalted butter, slightly softened
150g light brown sugar
big pinch of fine sea salt
4 large cold eggs (from the fridge)
1 tsp vanilla extract – See more at: http://www.poiresauchocolat.net/2012/11/chocolate-hazelnut-torte-with-smoked.html#sthash.nKxGe4qV.dpuf

Chocolate Hazelnut Torte with Smoked Salt
(adapted from Alice Medrich’s Sinfully Easy Delicious Desserts)70g whole hazelnuts
30g plain flour
170g dark chocolate (I used 85%)
140g unsalted butter, slightly softened
150g light brown sugar
big pinch of fine sea salt
4 large cold eggs (from the fridge)
1 tsp vanilla extract
pinch of smoked sea salt flakesPreheat the oven to 180C/350F. Lightly butter an 8″ springform or loose-based tin. Place the hazelnuts on a small tray in the oven and toast for a few minutes until they start to smell and darken slightly. If they have skins, rub as much as you can off with a tea towel. Put into a food processor with the flour and blast until they are finely ground.Place a mixer bowl (or another bowl if using a hand mixer) over a pan of barely simmering water. Chop the chocolate up and tip into the bowl. Stir occasionally as it melts. Meanwhile weigh out the brown sugar and salt and cut the butter into cubes – it should be starting to soften, not squishy. When the chocolate has nearly melted, take it off the heat and stir until it’s smooth. Place on the mixer (with the whisk attached) and add the sugar, salt and butter. Whisk on medium until the ingredients have fully combined and the mixture has lightened a little. Scrape the sides down then add the first egg. Whip until combined, then add the next egg. Repeat until they’re all combined then add the vanilla and whip for 1-2 minutes on high until stiff and pale.Add the ground hazelnuts and fold in. Scoop into the pan and level out. Sprinkle the smoked sea salt over the top. Bake for 28-35 minutes – a tester should still bring up a few sticky crumbs. Place on a wire rack and leave to cool fully in the tin. Wrap in kitchen foil and leave for at least one day and up to three before serving. Lovely with a big spoonful of whipped cream or crème fraîche.(Serves 10-12) – See more at: http://www.poiresauchocolat.net/2012/11/chocolate-hazelnut-torte-with-smoked.html#sthash.nKxGe4qV.dpuf

The cake about to be baked

A bowl of mulberries

Some other flourless cakes in my repertoire

Lemon and almond cake

Bitter chocolate olive oil cake

Chocolate marmalade slump cake

Chocolate Hazelnut Torte with Smoked Salt
(adapted from Alice Medrich’s Sinfully Easy Delicious Desserts)70g whole hazelnuts
30g plain flour
170g dark chocolate (I used 85%)
140g unsalted butter, slightly softened
150g light brown sugar
big pinch of fine sea salt
4 large cold eggs (from the fridge)
1 tsp vanilla extract
pinch of smoked sea salt flakesPreheat the oven to 180C/350F. Lightly butter an 8″ springform or loose-based tin. Place the hazelnuts on a small tray in the oven and toast for a few minutes until they start to smell and darken slightly. If they have skins, rub as much as you can off with a tea towel. Put into a food processor with the flour and blast until they are finely ground.Place a mixer bowl (or another bowl if using a hand mixer) over a pan of barely simmering water. Chop the chocolate up and tip into the bowl. Stir occasionally as it melts. Meanwhile weigh out the brown sugar and salt and cut the butter into cubes – it should be starting to soften, not squishy. When the chocolate has nearly melted, take it off the heat and stir until it’s smooth. Place on the mixer (with the whisk attached) and add the sugar, salt and butter. Whisk on medium until the ingredients have fully combined and the mixture has lightened a little. Scrape the sides down then add the first egg. Whip until combined, then add the next egg. Repeat until they’re all combined then add the vanilla and whip for 1-2 minutes on high until stiff and pale.Add the ground hazelnuts and fold in. Scoop into the pan and level out. Sprinkle the smoked sea salt over the top. Bake for 28-35 minutes – a tester should still bring up a few sticky crumbs. Place on a wire rack and leave to cool fully in the tin. Wrap in kitchen foil and leave for at least one day and up to three before serving. Lovely with a big spoonful of whipped cream or crème fraîche.(Serves 10-12)
– See more at: http://www.poiresauchocolat.net/2012/11/chocolate-hazelnut-torte-with-smoked.html#sthash.CDp8X22X.dpuf

Cousin of the herring

09 Wednesday Oct 2013

Posted by Sophie James in Recipe

≈ 17 Comments

Tags

Autumn, Cooking, Fish, Herbs, Ingredients, Recipes, Sea, Stories, Sussex

030

I’m amazed by how much people know. Forget books and recipes. People just know things here in this corner of East Sussex. Like a silkworm’s food of choice is the white mulberry tree, and birds like eating elderberries; they take them back to their nests and drop the seeds, which is why you get elderberry bushes growing out of the guttering. I know now about sea frets and the right time for mackerel (July, August) and that sprats, the little pewter fish we eat most nights, are also known as the cousin of the herring. That there is sea beet and sea buckthorn and sea kale there for the picking, all along this coastline. And spinach frothing over the headland.

The people I was speaking to make no claims for themselves as cooks. They might have a garden, and they go for long walks. They live by the sea. It’s a casual knowledge, worn lightly. And there I am, drowning in books, wading through endless crumble toppings, and swotting up on the history of the damson.

The sea is mesmerizing here. The East Sussex coast is one long, flat sweep of iron-grey sea with the odd boat, often trailed by gulls. There is a yellow and white ferry that crosses the channel daily to Dieppe and back again, moving soundlessly through our view, from window to window. At night there is the solitary light from the fishermen, either on the beach with their rods or in the middle of the now-black water. In the morning we go swimming before breakfast, before full consciousness, and the water is cold and flat. I’ve never seen such flat water. After LA, it’s bizarre that I can just walk in. I don’t actually bother to put a swimming costume on, but wade into it in my night gear. And the sea at that time is grey-green, with fish that swim away from your feet like tiny strokes of ink.

This is the time for sprats, just small enough to grill a shoal of them and they take the simplest treatment: rock salt and lemon. In mackerel season, the sprats and the whitebait throw themselves out of the water to escape being eaten, and the gulls, while the fish are briefly airborne, take little nips out of their flesh. Either way they’re doomed. It seems an exercise in pure pathos; escaping one tyranny, to be ensnared by another. Often you see the little fish flying above the sea’s surface, skittering over it like birds.

I played around with beheading my sprats as you can see from the different presentations here; however, I do think it’s a shame to waste any part of such a small fish. Delia Smith gives a handy tip down below for gutting if that’s the way you want to go, but again I’m not sure this is necessary. There is something delectable about guzzling a sprat whole and crisp and silvery, down in one.

“First make a small incision behind a gill of each fish and gently squeeze the belly up towards the head to eject the gut, but try to keep the head intact. Rinse the fish well and dry off any excess moisture with kitchen paper before tossing in the seasoned flour.”

Grilled sprats

Heavily adapted from Delia Smith’s Complete Cookery Course

Sprats are very cheap to buy, so they are an economical fish, as well as often being very fresh, and sublime grilled or deep-fried. I think they need to be as crisp as possible – you want them to rustle on the plate – so tossing them in flour is recommended. Whitebait (baby sprats) tend to come frozen, but are equally good, and like the same treatment.

Serves 2 people

1lb sprats (450g)

seasoned flour

Olive oil or groundnut oil

A few sprigs of thyme

salt

lemon

Scatter the thyme on a baking tray. Lay the fish (already floured and lightly salted – see above) on top, burying the thyme as much as possible so it doesn’t scorch. Fleck with some oil and grill for about five minutes, flipping them over halfway through to crisp them up on both sides. They will be brown and quite hard to the touch by the end. You want them to rustle. Serve with a quarter of lemon. Also nice with a mustard and vinegar dressing. Good also for breakfast. Add a bit of salt at the end.

Sussex apple cake

02 Wednesday Oct 2013

Posted by Sophie James in Recipe

≈ 27 Comments

Tags

Autumn, Cake, Dessert, Food, Fruit, Ingredients, Nonfiction, Recipes, Stories, Sussex

The sign read: “recent windfalls – ‘cookers’ – please help yourselves”. There was another sign next to it that said ‘eaters’. Cookers and eaters – two types of apple, one sour, bulky and big-shouldered, good really for cooking, where it goes to mush, the other sweeter, smaller – one to have in the hand. Although the sweet apple wasn’t particularly sweet; sharp, dry as bark on its dappled outside, but a brisk, juicy interior. When juiced later, the froth was brown, leading to a startling pink beneath.

There was not much wind to speak of that day. The air seemed suspended, with swifts carousing through little channels above us, their wings like black darts. Actually their wings were like wings, the kind you draw as a child – two V shapes. We listed with our enormous load, my plastic pockets crammed. Blackberries now liquidized were dripping like blood down my arm. And all this before lunch, which happened at three. Rather like Christmas day, without the presents.

We went into a cafe which specializes in china teacups and ladies. It is very English; everyone feels undeserving. The lady next door to us was alone. She ordered tea and apple cake. It is the kind of place where you are so close to your neighbours that you need to make a decision early on about whether to include them in your life for that brief window of time. But this was unnecessary because there was a flurry of misunderstandings, panic ensued, as the apple cake was off – and then suddenly back on – the menu. Almost no apple cake – not really a story. No tragedy there. Except it gave the lovely young waitresses (gap year) a chance to flounce around a bit, and have a laugh with each other. For the lady to show off her cool and calm persona. After the apple cake arrived, and her fork had made its incision, she produced a mobile phone and began a quiet, very civilized conversation with someone unknown (probably male) on the other end. She was very organized, I could see.

This is what I don’t have in LA: the chance to watch people at such close quarters. To notice things, like a certain kind of hair-clip, a cardigan, skin tone, imagining the man on the other end of the line. Watching a thought alight on a face. And aren’t English people interesting? We are so swathed in layers, submerged in stories that become more and more intricate with the telling. I am always surprised by English people, I think that’s it.

We waited at the bus stop, next to a couple eating ice cream. They shuffled up to let us in on the bench. I watched a man opposite with his dog, a scruffy thing, his tail wagging, his tongue out, looking around and occasionally up at his master. Two horses clip-clopped by. We got on the bus, a small Noddy bus, green and miniature, our coats bulging obscenely with our apple stash. We were deposited back to Seaford. I made the cake.

This is Mark Hix’s lovely regional apple cake made with cider and honey. In his case, the region is Somerset – mine is a Sussex story. You can use whatever local apples come your way – choose cookers, such as the Bramley, or sharp eaters at a pinch. A sweet dessert apple would be missing the point here.

Sussex apple cake

From Mark Hix, on Baking

I once ‘hilariously’ used cider vinegar instead of cider, by mistake. I thought it would destroy the cake but actually the flavours were enhanced by it, though it did make me think of fish and chips. If you’re unsure, stick to the original recipe. Also, don’t be put off by the sheer amount of apples required here. It really does make a difference. Dry apple cake isn’t fun.

Makes 1 x 24cm cake

170g unsalted butter, softened

170g soft brown sugar

3 medium eggs, room temperature, lightly beaten

1 heaped tbs of honey

240g self-raising flour, sifted

1 tsp mixed spice

600-700g cooking apples, peeled, cored and cut into smallish chunks

80ml cider

Prepare a loose-bottomed 24cm x 6-8cm deep cake tin by greasing it if it’s non-stick, or lining the base with buttered greaseproof paper if not. Pre-heat the oven to 160C/320F. Cream the butter and sugar together in a bowl until light and fluffy. Gradually beat in the eggs with the honey. Gently fold in the flour and mixed spice then stir in the cider and apples. Transfer to the cake tin and bake for 1 and a 1/4 hours, or until a skewer inserted into the centre comes our clean. Cool in the tin; serve warm on its own or with thick cream. Clotted cream would be stupendous here.

Other apple recipes to try:

Apple and rosemary cake

Lucas’s apple and sultana cake

Apple fritters

Hedgerow crumble

Rum & Raisin

23 Monday Sep 2013

Posted by Sophie James in Recipe

≈ 15 Comments

Tags

Alcohol, Autumn, Dessert, Food, Fruit, Ice cream, Ingredients, Recipes, Stories, Travel

The last of the bewildering hot weather. Nights where one cotton sheet feels like being shrouded in carpet. Talking alone brings on the vapours, sweat beading on our foreheads as we nod sagely at someone we’re not listening to. Everyone drives like Vin Diesel, ramping up the volume on their car stereos, burning rubber as they overtake me on blind corners, tyres squealing like guinea pigs. And all I can think is how rude they’re being. That’s my version of a riot. Because I can’t complain. Because I’m English, and that’s all we do, while saying that we can’t do it. “I can’t complain” is our watchword. And I have been drawn to this detail of Englishness recently, perhaps because it’s so absent in LA.

Our English guests never complain either. We dance around each other in pained politeness. It must be akin to observing some ancient ritual – like conversational Morris dancing – with no one able to say exactly what the problem is, or even if there is a problem. “Do you have a parrot?” our English guest asked me today. “Er, no. Why?” “No, no, it’s fine. I just thought I heard a parrot at around five o’clock this morning.” I knew what it was because it had woken us too. “It was a coyote.” “Really?” “Yes, they live in the hills here and when they’ve killed a deer, they make a kind of ‘yipping’ sound. They do it with car alarms and fire engines as well.” “Oh right.” We all imagined a decapitated deer. “Great, well, see you around then! Thanks for breakfast.” “Don’t worry, it’s really safe here. They very rarely come down into the complex.” As I said this I remembered the coyote in the hallway and the mountain lion up by the tennis courts. They tranquillized it and carried it off somewhere. I wish I’d just said: “Yes, we have a parrot. We’ll kill it for you.”

I can’t imagine this conversation between Americans. I still don’t know what it was really about, but I felt in strange harmony with it. I’m leaving soon for England and it helped me get into the rhythm of things again. It was nice to talk to someone from Eastbourne, knowing that in a few days I will be walking the Downs, talking about the weather, bemoaning the end of summer, arms folded against the wind.

I would be happy if there were only five flavours of ice cream in the world: vanilla, chocolate, hazelnut, pistachio and rum & raisin. And raspberry ripple as a bonus flavour (for nostalgia purposes). But no cookie dough, rocky road or banoffee pie. And ‘sugar free’ vanilla – what’s that? Rum and raisin is a classic, and much underrated in my opinion. I know there are people who don’t like alcohol in sweets, but we will forge ahead regardless.

And this ice cream also lends itself to subtle doctoring: round and treacly Flame raisins, seeded Muscat raisins (sticky and crunchy and used traditionally in old bread recipes), meaty, soft, pale gold raisins (above) and Thompson seedless down below, still with their tails on, drowned in a saucer of rum – they are all so Californian, dried from the grape by our endless sun, and yet weirdly invisible, except for a few market stalls with their lumpen quarry. But I never gravitate there. Does one ever crave a raisin? But plumped up juicily in some searing alcohol and it’s quite a different matter. You could substitute the rum for sherry, if you like, and go for Pedro Ximénez if it’s available. This is a very ‘raisiny’ sherry, treacly and intense and good for a grown up ice cream such as this.

Rum & Raisin Ice Cream

Adapted from Ice Cream! by Pippa Cuthbert & Lindsay Cameron Wilson

The soft brown sugar creates a darker, more complex flavour, but you can use caster sugar instead if you like. Sherry works well in place of rum.

100g (¾ cup) raisins

100ml (½ cup) dark rum or sherry

300ml (1¼ cups) whole milk

4 large egg yolks

100g (¾ cup) soft brown sugar

200ml (scant 1 cup) heavy/double cream

Put the raisins and 75ml (¼ cup) of the rum or sherry in a bowl and set aside to soak overnight or until the raisins have absorbed almost all the liquid.

Heat the milk and cream in a heavy-bottomed saucepan to near-boiling point, then remove from the heat. Beat the egg yolks and sugar together, using an electric whisk, until thick and pale. Loosen the egg with some of the milk/cream mixture, then pour the eggs and sugar back into the saucepan. Stir well to mix everything properly and then return to a low heat. Stir until the mixture is thick enough to coat the back of a wooden spoon. Remove from the heat, pour into a bowl and place over iced water to cool. You will need to stir it from time to time to avoid the custard developing a skin.

When the mixture is completely cold, churn in an ice cream maker, adding the remaining rum/sherry and all the raisins towards the end of churning. The raisins have a tendency to sink to the bottom before the ice cream can harden and suspend them, so you may want to give it a stir after half an hour or so in the freezer to distribute the raisins more evenly. Serve with a glass of either rum or sherry, or just pour it straight over the ice cream.

Other recipes with raisins:

Banana and raisin bread

Sticky toffee pudding

Topsy turvy

09 Monday Sep 2013

Posted by Sophie James in Recipe

≈ 20 Comments

Tags

Almonds, Baking, Cake, Fruit, Ingredients, Los Angeles, Recipes, Stone fruit, Stories

Plums are everywhere and it seems futile to resist. Although I managed it. Something about the skins that pulls one off balance. You should eat them bare, gnaw around the stone and savour the juice as it cascades down your arm. In the end, I cooked with apriums. Yes, I know it sounds more like an edible food-like substance (paraphrazing Michael Pollen) but it is the real thing. They have the rich wateriness of plums, the sour, clingy skin, but then there is apricot. They taste like the sibling of nectarines without the solidness of the flesh. Are we all clear then?

I was hellbent on making an upside down cake, so here I am. And it’s been an upside down few weeks. If I was part of the Mister Men series I would probably be upside down (they would put me in trousers, obviously) as I went about my business. I lost my camera. This was a camera I had found about two years ago. I put up posters in the area advertizing its whereabouts and when no one claimed it, I adopted it. It was a happy union. I took all the pictures for the blog with it. It accompanied me everywhere. And then suddenly it was gone – it was absolutely nowhere. I returned to gaps and crevices hoping to feel its bulky angles. It’s true what the comedian Lee Evans said: when you lose something you keep going back to the same place to look for it, the mind refusing to acknowledge you’ve just been there. Hands run over surfaces, feeling blindly behind books, fingers slide into nooks, and slide out again. I retraced my steps like an amateur sleuth.

I went to the doctor’s and sidled up to the receptionist with my query – I had all the details ready: I may have left my camera in the bathroom on my last visit. But someone was having a panic attack. This news was relayed to the assembled company with the words “You f******g assholes, she’s passed out!” According to the receptionist, now on the phone to emergency services, this man’s girlfriend had been having a panic attack, had left and was now sitting in the car outside, unconscious. Doctors and nurses spilled through the doors with wheelchairs and stethoscopes; they ran as if out of a burning building. It was mayhem. Had any of them seen my camera? It seemed not a good time to ask.

The girl who refrigerates the stool samples ran past me. Nobody was left. A few days later I encountered a man who was dispensing free hugs outside the farmers’ market. That is not me with the cute butt and sawn-off trousers, by the way. It was me later. He grasped me like a lumberjack. He didn’t speak but I felt as if he knew everything. What a difference it would make, I thought, if they had people like that around, parked on street corners, standing by subway tunnels, in the waiting room at the doctor’s. Around for when everything turns upside down.

Upside Down Cake with Stone Fruit

Adapted (everso slightly) from Pastry Studio

There is such a dizzying array of plums about in LA at the moment that it makes sense to use them here, or you could go for the hybridized pluots or apriums (as I did). However, this recipe was originally intended for apricots, and I suspect it would work equally well with other stone fruit too; anything that gives up its juice in a charitable manner. Nectarines, peaches and the like. The use of honey in the caramel makes quite a difference to the overall taste, and brings out the piquancy of the fruit.

Serves 8

For the fruit caramel

3 tablespoons honey

1 tablespoon butter

½ teaspoon cinnamon

4 – 6 plums (depending on size)

2 – 3 tablespoons toasted flaked almonds

For the cake

140g (1 cup) flour ( this could be rice flour etc)

40g (½ cup) toasted flaked almonds

1½ teaspoons baking powder

¼ teaspoon salt

115g (8 tbs) butter at room temperature

150g (¾ cup) caster sugar

2 large eggs at room temperature

1 teaspoon vanilla extract

¼ teaspoon almond extract (optional)

120 ml (1/2 cup) milk at room temperature

2 tablespoons honey, to glaze

Preheat oven to 350F/190C. Lightly grease a 10 inch (25cm) cake tin.

For the fruit caramel layer, put the honey, butter and cinnamon in a saucepan and heat until melted. Pour into the bottom of the cake pan, then lift the pan and swirl to distribute evenly.

Slice the plums in half, remove the stones, and then cut the fruit into slices (or quarters), and fan them out on top of the honey butter mixture. Make sure that whatever fruit you use covers the bottom in a substantial layer, since it will cook down while baking. Fill in the gaps with a sprinkle of toasted almonds.

For the cake batter, place the flour, almonds, baking powder and salt in the bowl of a food processor or blender. Whizz until the almonds are ground but with some texture still. Pour into a bowl and set aside.

Cream the butter and sugar until light and fluffy, about 4 minutes, scraping down the sides of the bowl as needed. Add vanilla and almond extracts if using and blend. Beat in the eggs one at a time, scraping down the bowl and mixing thoroughly after each addition.

Add a third of the flour mixture alternately with half the milk, beginning and ending with the flour. Don’t overmix. Spread the batter evenly over the fruit.

Bake until a toothpick tests clean, about 42 – 45 minutes. The sides of the cake will have started to shrink away from the sides of the pan and it will feel soft and springy to the touch. Place on a wire rack to cool for 15 minutes. Run a knife around the edge of the pan to loosen the cake. Invert the cake carefully using a plate – beware of any cascading hot juices.

Warm 2 tablespoons of the honey and brush on to the surface of the cake to glaze. Cool completely or serve at room temperature, as you would a pudding, with some cream of course.

Three other recipes that involve stone fruit:

Chocolate and apricot tart

Peach and amaretti tarte tatin

Sauteed plums and chocolate pudding

Another use for honey:

Quince paste and Manchego

Battered Blossoms

24 Wednesday Jul 2013

Posted by Sophie James in Recipe

≈ 17 Comments

Tags

Cooking, Food, Ingredients, Italy, Marcella Hazan, Patience Gray, Recipes, Rome, Stories, Summer

I just think these are lovely. Lovely looking, creamy, blossomy, with echoes of the courgette itself. A welter of these, piled high on a plate, having been plunged and fried in batter is the way. And eaten alone. That’s how I remember them when I lived in Rome as a student. This was the early nineties and even my pajamas had shoulder pads. Everyone had a cleavage and shoals of men followed me (and every other young woman in the area) home, loitered and then dispersed to find other prey. I remember these blossoms in their crisp casings were handy at parties – you could walk around with one, and a napkin would quickly blot up any lingering grease. Either that or it could double as lip gloss.

Everyone of my age in Italy lived at home and remained there in their childhood bedrooms doted on by housekeepers until they found someone to marry. No one left home to go to university, except I was at the university of Rome and needed a place to stay, so I lived in the garden flat of an Italian family in Parioli, a swish, hilly enclave.

The flat was actually a garage with a bed in it and a small toilet. I remember a window but not much light entered the place and I often woke up at midday or even later, muddled and confused and late for class. I taught English as a foreign language on the side, but this was tricky if still asleep. The dampness and general humidity both in the flat and in Rome in deep summer gave me what is known commonly as il colpo della strega (translated as ‘the witch’s blow’), a lower back paralysis eased almost immediately by plunging into a hot bath.

I remember stepping over Marcello Mastroianni who was sitting on my doorstep, having a break from filming, and thinking that I should probably stop and say something, but I was more concerned about getting to the bakery in time to get my bread rolls. Mantovani rolls were thinly crusty on the outside with a warm belly of bread beneath; they were sweet and soft, and I would often walk along eating them bare from their paper bag – they needed absolutely no accompaniment. The same applies to these battered blossoms. Eat them bare, preferably walking, and find a skyline or seascape to stare at, or even a wall, and feel their grassy tentacles dissolve on your tongue. Actually, some soft airy bread might work alongside: ungreased and ripped open with savage fingers.

Though these flowers look fragile and papery, they are in fact rich, and a few can make you feel quite woozy. The idea of the batter, known in Italian as la pastella, is to do justice to the delicacy and brightness of the flavour, and so the cleanest, plainest sort is required. I used only flour and water, and a pinch of salt.

If you want an upgrade, you could follow Patience Gray’s instruction in Honey from a Weed, and add an egg yolk, a tablespoon of grappa and just enough water to the flour to make ‘not too liquid a batter’. The egg white is also incorporated just before making the plunge. I have never got to this recipe, because I have found the original batter to be exactly as it should be. You could use elderflowers instead of the courgette blossoms.

Courgette blossoms fried in batter

Adapted from Marcella Hazan, The Classic Italian Cookbook

12-14 courgette blossoms

Vegetable oil, enough to come 18mm (¾ inch) up the sides of a frying pan/skillet

Flour-and-water batter ( see below)

Sea salt

Put 250ml (scant ½ pint) of water in a bowl and sift 80g (2¾ oz) of plain flour over it, beating all the while. By the end, the batter will have the consistency of double/heavy cream. Leave to rest while you get on with the courgette blossoms.

Wash the blossoms quickly and tenderly under cold running water and dry them gently on kitchen paper (this is not essential if you know where they’ve been). Snip off the stem and the little hook-like leaves at the base of the blossom. Slit the blossom open on one side (imagine you’re reading a book) without dividing it. Remove the little orange bulb within, otherwise known as the pistil.

Heat the oil over a high heat. When it is very hot (drip the minutest drop of batter into the hot oil and see it shrivel up instantly to gauge readiness) dip the blossoms quickly in and out of the batter and slip them into the frying pan. It is important to get the blossoms as open and as flat as possible, otherwise clumps of uncooked batter get secreted in the grooves. When they are golden brown on one side flip them over to cook on the other side. Transfer to kitchen paper to drain, sprinkle with sea salt and eat quickly, while still hot and crisp.

Crema Catalana plus fennel

12 Friday Jul 2013

Posted by Sophie James in Recipe

≈ 9 Comments

Tags

Fruit, Herbs, Ingredients, Nature, Patience Gray, Recipes, Spain, Stories

These are wild fennel flowers. They are even sweeter and more fragrant than the fronds, but their pollen flies everywhere, so if you’re thinking of picking some for their prettiness alone you might want to be aware of ‘pollen dandruff’. We picked off the little flower heads and munched away in the car. It was amazing how sweet they were.

Traditionally, the flowers are immersed in white wine vinegar, which is then used to enhance the flavour of capers. I didn’t think capers needed enhancing, but apparently they do. I did in fact thread a flower head through the neck of a bottle of fairly standard white wine vinegar. Apart from the excitement of doing this successfully which made me think of ships in bottles, the vinegar was gorgeous: thinly acid but full of glorious sweet fennel, and as the days passed it took on a deeper, throatier quality. I wanted to pass this on, because it really makes a difference to a salad dressing if you use it.

Fennel pollen

This recipe is from Catalonia where they call it Crema Cremada, which means ‘burnt cream’. Everywhere else, it is called Crema Catalana, which tells you everything you need to know about the Catalan personality. It is a simple custard infused with lemon zest and, in this version, fennel. If you don’t have access to wild fennel, use fennel seeds – all the recipes I have read do. Not everyone will like this custard, because it has such a polarizing taste. Normally I wouldn’t suggest a recipe that has this effect, because I think food should be democratic and unstuffy. But here I think that you should carry on regardless. Because it really is quite special, and once tried it is difficult not to fall in love.

I tried to describe the unique flavour of wild fennel in my post on the fronds. The most dominant element is licorice, and the flowers bring this to the fore. But while the commercial seeds have something of the night about them (the Michael Howard of the seed world) with a tarry, smoky, malt-like quality, the flowers (and the wild seeds too) are fresh, sweet almost to the point of sharpness and totally alive in the mouth. They taste wild, in fact. I think that is why milk is such a good vehicle here. Creaminess brings out the softness and sweetness and chilling dulls any lingering edge. You can go one step further and make ice cream, which is also lovely.

Crema Catalana with candied kumquats

In a month or so, the mellow yellow starbursts at the top of the fennel plant will be full of the seeds, housed in pods, to be taken home, dried and stripped. I suppose, given that I live in a city and that many of us now do, it is an experience in wonder to be reconnected to old practices and traditions like this. I am aware, though, that this recipe comes perilously close to what my old acting teacher used to call the ‘crumbling pigs’ arseholes’ school of cooking, by which she meant a certain kind of fey, precious approach to food, using inaccessible or pretentious ingredients. I was thinking of calling this post Crumbling Pigs’ Arseholes in her honour, but thought better of it.

Crema Catalana

Adapted from Patience Gray, Honey From A Weed

If you really hate the idea of fennel, infuse the milk with a cinnamon stick instead – this is also traditional.

1 litre of whole, full cream milk

2 tbs cornflour

1 lemon, the peel cut into 1 or 2 long strips

4 egg yolks

4 tbs sugar

1 tbs crushed fennel seeds, 5g fennel flowers or 1/2 tsp of fennel pollen

In a cup dissolve the cornflour in 4 tbs of cold milk (the cornflour will prevent the eggs from curdling). Heat the rest of the milk in a large pan with the lemon peel and the fennel until it just begins to boil. Remove from the heat and leave to infuse for at least 30 minutes. In a bowl, beat the egg yolks with the sugar to a thick, pale cream. Then beat in the cornflour mixture. Gently reheat the milk and beat in a ladleful. Now slowly strain the rest of the infused milk into the egg/cornflour mixture. Pour this back into the pan and heat slowly, stirring continuously with a wooden spoon until the custard thickens to coat the back of it. Let it cool, stirring occasionally to prevent a skin from forming. Then pour into 6 clay ramekins or one large clay pot and chill for at least 4 hours, preferably overnight. I served mine with some candied kumquats, a nice combination.

The Burnt Version

You sprinkle sugar over the chilled custard and heat it to a bubbling crisp. Traditionally, a salamander is used here – this is an iron disc that is heated until white-hot and then held over the sugar. The sugar caramelizes evenly without warming the custard. This is what I have always loved: the starkness of contrast in heat and cold. A grill/broiler will work too but you need to make sure the dishes you are using can withstand the heat, and there won’t be the same hot/cold differential. Or use a blowtorch.

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Deep Purple

04 Thursday Jul 2013

Posted by Sophie James in Recipe

≈ 13 Comments

Tags

Aromatherapy, Fruit, Herbs, Ingredients, Nature, Recipes, Stories, Travel

We recently went to a lavender festival in an area called, confusingly, Cherry Valley. No cherries as such, but a billowing sea of lavender instead, made all the more surreal by its position in a vast, merciless desert, with windswept plains filled with tumbleweed and signs advertising pleasant and welcoming mortuaries. The air was different too. Gone was the hot, dry wind that smelt vaguely burnt in nearby Palm Springs. There was coolness and an endless waft of fresh lavender here, so different to dried, which makes me think of scones and English B&Bs and ‘granny’s pants’. By this I mean stored, clean pants from another era, washed with old soap and perhaps not dried fully, so, though clean, there is a suggestion of staleness.

A fresh sprig of lavender – or should I say ear because to me it has the same corn-like structure – is quite different. Camphorous, sultry and direct. It smells more like it looks: purple and lusty. It is known as a sedative, mainly, something you apply to yourself or a pillow to aid sleep, but according to the talk we attended, it is more of a balancing herb, bringing you back from the brink, settling you back into the centre of things. There were many other things growing, thriving in this oasis – thickets of tea tree, and a long avenue of broad-necked olive trees amongst them. But you couldn’t escape the lavender. We waded through it, running our fingers through the brittle stalks, letting them whip back against our thighs, crumbling the flowers between finger and thumb, enjoying their spiky scent and tight whorls of colour. We found a stall selling lamb kebabs and sat rather drunkenly in the sweet fug of lavender and smoky meat.
The night before we’d decided to visit a casino nearby. We walked in and I had to walk back out again. Noise, made up of music and machines merging like screaming sirens in vague counterpoint, cigarette smoke, cold, piped air, and the look of glassy appetite on the faces of the gamblers all combined to remind me why zombies are still such a resonant force in our culture. Nothing about it made sense to me. And there are no windows, and no clocks inside the place, so you lose any sense of where you are. Who you are, even. More tawdry still is the fact that the casino is built on an Indian reservation, a result of the deal made between Indian tribes and the federal government that allows the Native Americans ‘tribal sovereignty’. It feels, to me at least, like a bit of a crap deal.

So we needed the lavender the next day. I was wondering, looking around, if the same people at the casino the night before were here in this place. It was possible: there were lots of benign-looking elderly ladies at the casino, perched on stools, resting their sticks against the machines, handbags at the ready. And here they were too, with their cameras and grandchildren. I’m not sure how you could do that – how you could square that world with this one. Or how we can ignore the world beneath both, when the land belonged to the Native Americans, before cultivation and agriculture, and every tree, plant and herb was theirs.

Tea tree

Lavender is an odd one to cook with – bitter or rather ‘faded’ has been my experience so far. Lavender honey works beautifully, of course, and there are Provencal dishes that use it imaginatively and to good effect: traditionally, it’s cooked with rabbit. I understand the theory that it works best if treated like rosemary and thyme. But I’d still rather cook with the last two, and keep the lavender as an essential oil, where it feels fresh and alive – the closest to rolling a torn sprig in my hand and letting the smell climb into my limbic system. Ken from The Garum Factory suggested I go the lavender-infused olive oil route and add a few drops over a dish (in this instance melon and Serrano ham) and he was right. The lavender is gentle and warm, and definitely in the background, with just a hint of floral. No granny’s pants here.

From the aromatherapist at the festival, I learnt the simplest technique for using the essential oil: add a few drops to a base of water and use it as a room and body spray. It is beautifully simple and effective. I’ve been dousing my sheets with it and myself (it is, along with tea tree, a clear oil and doesn’t stain fabric. You can also apply it neat to the skin). Also great for getting rid of any ‘untoward’ smells in the house. Recipes below.

Lavender Spray

Fill a clean spray bottle with 4 ounces of pure distilled water (or tap water)

Pour 6 drops of lavender essential oil directly into the spray bottle

Tightly close the bottle and shake vigorously to combine

Be sure to shake it before each use, as the water and essential oils tend to separate

Lavender-infused olive oil, melon and Serrano ham

Adapted from Skye Gyngell, My Favourite Ingredients

English lavender (Lavandula angustifolia and Munstead) is commonly used for cooking

250ml (1 cup) of extra virgin olive oil

1 lemon

2 sprigs of fresh lavender

Pare the lemon zest in long strips using a vegetable peeler, and place it in a small pan along with the sprigs of lavender. Pour over the olive oil and warm gently to body temperature (around 99F) for ten minutes so the lemon and lavender can release their aromas. If you want a more pronounced lemon flavour, add the zest of 2-3 lemons. Remove from the heat and let stand for 30 minutes. Use on the day of making or within 24 hours. If using with the melon and ham, dribble over the cold fruit (which should be lightly salted) and serve with a scattering of lavender buds or flowers if you like.

“Mercury owns the herb; and it carries his effects very potently. Lavender is of special good use for all the griefs and pains of the head and brain that proceed of a cold cause, as the apoplexy, falling-sickness, the dropsy, or sluggish malady, cramps, convulsions, palsies, and often faintings. Two spoonfuls of the distilled water of the flowers taken, helps them that have lost their voice, as also the tremblings and passions of the heart, and faintings and swooning, not only being drank, but applied to the temples, or nostrils to be smelled unto; but it is not safe to use it where the body is replete with blood and humours, because of the hot and subtile spirits wherewith it is possessed.”

Nicholas Culpeper, Complete Herbal (1653)

A field of fennel

17 Monday Jun 2013

Posted by Sophie James in Recipe

≈ 22 Comments

Tags

Cookbook, Food, Herbs, Ingredients, Italy, Los Angeles, Recipes, Stories, Walking

A couple of days ago I went for a walk in Lake Hollywood, my usual amble in the morning. It is a flat, paved trail that loops round the lake – not actually a lake at all but a reservoir surrounded by a forbidding high wire fence – and was prepared to be unamazed by it. There have been a few interesting sightings in the past (Mila and Ashton swanning past, Valene from Knots Landing ‘jogging,’ an eagle having a bath), but I was not in the mood. I wanted to walk until my legs ached, with my head down.

There was no sun to speak of, but a heavy haze, and the occasional patch of vague brightness trying to push through. Two ducks sat in the muck, pecking at some iridescent greenery. After a while, one stopped pecking and just stood there. Come on, you’ve had your fun, it seemed to say. So I moved on. I sat on a grassy bank to rest my legs for a bit and watched a family of coyotes tumble down the side of the hill, stopping to bite each other’s ears and roll around. They appeared one at a time, looked up and down the trail, and loped across to a hole in the fence, slipping through to the other side where the water was.

Up ahead there was a hole for me too, an unusual clearing where normally there is a closed gate. I walked through and up the hill and was surrounded by an oasis of wild flowers, bees, butterflies and wild fennel. I sat down on a stone mound.

Wild fennel is difficult to photograph. From afar it is just a sea of green feathers, a strange network of tentacles, a web. Up close it is too fine and long and wavy. You can never get it all in. So in the end I rolled a few in my hand and took in the smell. I was expecting licorice, the tarry, sticky sweets from childhood, but not lemon, rubber, grass, aniseed, hay, manure, mint, cough mixture and ferns.

Even as I walked past, this strange concoction spilled out. Wild fennel is a herb (or edible weed depending on who you read), and grows abundantly around the Mediterranean, and in Mediterranean climates such as southern California. It is easily confused with fennel the bulb, which has the same curly fronds up top, but is used principally for the fresh, clean chunkiness of its base. The herb, all frilly leaf, is used a lot in southern Italian cooking, particularly Sicilian, where they like to stuff the finocchio selvatico in their sardines, and the seeds in their sausages.

Umbel beginnings

It felt like a real find, this place. There was no one else around, and though I could hear the voices of walkers on the main path, I was hidden from view. It is an economical landscape, because it is so dry. Looking only for lushness, meadows, and nodding snowdrops – Englishness – it’s easy to miss everything else. This field was gold, the dull, dry gold of old grass. Everything was matted, tufted and coarse with occasional bolts of bright colour from thistles. I had to give up the decision to be unmoved. The sun finally came out and I went and sat on the bridge and watched the turtles sunbathing at the lake’s edge.

Fennel grows often in the most unprepossessing places: wastelands, car parks and even in the street. It propagates like mad, and is considered something of a pest here and a fire hazard. Don’t pick it where there is a good chance a dog (or person) has peed on it. The spring and early summer is when you get the fresh green shoots, the wavy fronds, that are used for stuffing into fish and strewing over fava beans and ricotta, risotto, and as a base for pesto.

The simplest treatment is to boil them until tender and serve with olive oil and lemon juice. The autumn is when you get the seeds. This is when the fronds die back and you get the dried, burnt-looking stalks. However mangled they look, the plants will be full of seed clusters. They look like little umbrellas (hence the name Umbelliferae, the family to which fennel belongs). You can pick off the ‘umbels’, separate the seeds from the pods and dry them. They last forever.

After eating fennel pretty exhaustively all week, this recipe makes the most sense to me, gustatorially (I’m not sure that’s a word). It’s a classic pairing of fava beans (broad beans in England) and ricotta with wild fennel fronds. Use the bushy stalks of bulb fennel in its place, or some mint, or whatever takes your fancy. You could use peas as well as, or instead of, fava beans.

Fava beans, ricotta and wild fennel

Adapted from Matthew Fort, Sweet Honey, Bitter Lemons

Serves 4

1 small onion

1 bunch of wild fennel

4 big handfuls of fava beans

Olive oil

Salt and pepper

Ricotta or feta

When fava beans are older, husk them and pinch off their skins to reveal the bright green pods beneath – boiling them for 3 minutes will help shuck off their coats, if need be. Heat a glug of olive oil in a pan. Slice the onion finely and chop the fennel into small bits. Wilt them for a couple of minutes and then add the beans. Cook very gently for about 15 minutes. Add a little water if the beans are drying out before becoming tender. Serve with ricotta, or feta if you prefer a bit of salty sharpness. This is lovely served alongside some prosciutto crudo.