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Companion

30 Tuesday Mar 2021

Posted by Sophie James in Bread, Uncategorized

≈ 7 Comments

Tags

Baking, Bread, Lockdown, Sourdough, Stories

“A companion is literally ‘a person who you eat bread with’. The word comes from Old French compaignon.” The Oxford Dictionary of Origin Words, Julia Cresswell

This is not where I live. The light is different. This light comes from a north-facing window, with the edge of a neglected plant poking into the frame. Can you tell it’s by the sea? I know by the shape of the loaf that it is some loaves back, when I was using lots of seeds, soaking them for hours; sesame, both black and white and pumpkin seeds. There will be some stoneground flour in there but it is before my Ancient Grains period. It looks like a good-enough loaf; a batard. I make two at a time – a boule and then this one. I have to decide who would benefit from which shape. I have decided my mum prefers the batard for ease of cutting.

I make them to give away. Our kitchen has become a tiny bakery, producing two loaves every couple of days or so. Sometimes, we have a loaf left over or an urge to hold on to one overtakes me and it hangs in a (cotton!) bag at the back of the kitchen door. I have become wedded to the smell of rising dough, hot but not quite baked, and the turn around when the lid is removed from the oven 20 minutes in. The fact that it is a process measured out in minutes, a stop watch handy so I can get on with something else in the meantime. I have moved beyond just sitting there staring at the blackened window of the oven.

I like the clank of clay, the different vessels I use for the purpose. The oily fist of flour (einkorn does this best – gathers itself into silky clumps). The best bit is when the bread is baked and it makes minute sounds, bubbling and popping in the ear, like a tiny river of lava. Also, there are the bronzed sesame seeds on the loaf itself and how the bread has torn in the oven, torn and risen and the ‘ear’ has scorched.

But mostly it is the smell. I always wish my mum could receive the bread still hot; the feel of warm bread in her hands, turned out of its pot, parchment paper ripped off, the bottom rapped to check for a healthy hollowness. As a potter she will know the feeling. I sometimes can’t bear that it will go cold – will ‘die’ in some way – and in those moments I might give it to a startled neighbour. I sometimes cycle it over to a friend’s house and leave it among the pots outside or sitting on the mat.

But it has been mostly bundled into a jiffy bag along with a book (Elisabeth Luard at the moment), and sent down to Sussex to my mum, where it might arrive the next day or it might not. From the beginning of lockdown, I took the parcel to my local post office, and before dropping it into the mail sack, the postmaster would cradle the package in his arms. He would lift it to his face, and rock the bread back and forth, smiling. He did this every time; stand in silence with the fragrant parcel held in his arms like a baby, smelling the warmth while I tried to smile through my mask. I imagined the bread slowly cooling until it arrived stone cold on my mum’s doorstep. He got the best part.

There are some good einkorn bread recipes here at The Perfect Loaf as well as really good beginner loaves. I have yet to feel sufficiently ‘proper’ in the sourdough stakes to include my own formula here. Maybe one day.

Thank you, Pippa, for the info about the origins of the word ‘companion’.

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a quiet loaf

20 Saturday Jun 2020

Posted by Sophie James in Bread, Uncategorized

≈ 12 Comments

Tags

Bread, Home, Sourdough, Walking, Writing

I like the way the parchment paper is hugging the loaf and how it has moulded to its shape during baking. This is a sourdough boule. I decided to embrace all the cliches and start my own starter and once I got going, it’s hard to resist the jiggly, bubbly mass of it and the pub-like aroma. I have welts and fissures on my hands to show for the effort and the heat from the pot it cooks in is as ferocious as anything on bonfire night.

What I enjoyed is that it tied in well with my evening walk. After the folding, the dough needs to fill the bowl quietly and this takes a while, so I would take myself off, do a circle, look into people’s living rooms as the dusk crept in and overtook the day, and the lights went on. It was intoxicating, seeing people. They became seductive, instructive, and if a window was filled with a rainbow, then it was a family house, and sometimes the family would advertise itself more thoroughly; with cuddly toys stacked up, or a notice pleading for me not to eat beef.

On one there is a notice on the gate with the sharp instruction to “please DO add a ribbon to our rainbow fence”. The fence is festooned with ribbons tied into bows, and the tree towering over it is trailing them, long and glossy and just at head height. Each time I approach I try to pull a ribbon off a branch, so I can tie it to the fence, and am left standing there, yanking at a ribbon that refuses to come loose. Is this what I am supposed to be doing? I walk on.

As it is a suburban street in a quiet, residential area on the outskirts of a Greater London suburb, the changes have been so subtle as to be almost non-existent. Slowly, by stealth, it has become slightly louder recently, inching its way back to normality. Which is not very loud. I have longed sometimes for the quiet of an urban street, to luxuriate in the silence, the shock of its stillness. To walk for miles during the night through empty streets and stand in front of St. Paul’s. Or go back to a time when I used to walk home at night because I needed to remember all the details of an evening in a way that only feet can do.

So when I let myself in, at 10 sometimes 10.30, my skin flushed from night summer air, and begin to dust a surface with flour, I am carrying with me all the remnants of those walks I have taken and forgotten about. Evening walks with my dad in West Somerset, with views of the brown Bristol sea. Night walks I took in Sydney as a teenager, chatting and walking into spiders’ webs. Walking along the promenade in Sitges after a long day’s teaching, my friend Jonny carrying my bags, and watching the ink-black sea crawl up the sand.

The quiet brings it up, loud and insistent, it tells me what I care about and what I miss. I then have to shape the boule, which is my favourite part, dragging the dough closer to me, over and over, creating surface tension, the dome of it tight and jiggly and ready for the fridge.

IMG_5197

This is the sourdough recipe I have been using. The Perfect Loaf is also really helpful.

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